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    Fragments From 'Bonds! The Musical'

    From time to time the news cycle offers up an event of such import and complexity that it can only be comprehended through the medium of musical theater. This week resident composer Ben Greenman takes a look at Barry Bonds, who hit a record 756th home run last night.

    [Commissioner of baseball BUD SELIG is talking to HANK AARON, as he does every day]

    BUD SELIG

    How's it hanging, Hammer?
    No, I'm not happy either
    I'm tired of this home run chase
    I think I need a breather

    The whole thing makes me nervous, Hank
    I know it's not about popularity
    But I worry I'll do a disservice
    To history or to posterity

    I know this should feel like the end
    Of the most exhausting inning
    Instead I'm filled with the suspicion
    That it's just the beginning

    As for me, emotionally
    It fills my heart with sorrow
    Oh, no...yeah...I understand
    I'll talk to you tomorrow

    [BUD SELIG replaces the receiver on the cradle. Before he hangs up, the audience hears, faintly but clearly, that he has in fact been calling MoviePhone. Fade out.]

    [Fade in. A locker room. Men in towels walk in formation around BARRY BONDS, who is standing in the center, speaking to them.]

    REPORTER #1

    Your hitting game improved with age
    You seem susceptible to rage
    You've hit home runs with lazy swings
    So how do you explain these things?

    REPORTER #2

    You have high levels of aggression
    And disrespect for the profession
    Also, people find you scary
    'Cause you're cut like a topiary

    REPORTER #3

    You might be a convicted felon

    REPORTER #4

    Your head looks like a giant melon

    REPORTER #5

    Roger Maris's hair fell out
    As he pursued the record
    Your recent career has been checkered
    Are you also filled with fear and doubt?

    BARRY BONDS

    Has this home run chase been a pressure source?
    I think you need a refresher course
    In what I'm trying to achieve
    Your questions annoy me
    You'll never destroy me
    I think it's time for you to leave

    [In San Diego, BONDS faces Padres pitcher CLAY HENSLEY.]

    CLAY HENSLEY

    Back in the minors I idolized you
    I tried to do all the things that you do
    I was even supended for steroid use
    I thought I'd get great because of the juice

    Now when I make this fateful pitch
    I'll ask the Lord to guide it
    If I'm to serve up history
    I'll serve up irony beside it

    [BONDS hits 755 off of CLAY HENSLEY. BUD SELIG responds, sort of, by standing, clapping once and a half, and returning his hands to his pockets.]

    BUD SELIG

    I award the batter
    A smattering of applause
    In the matter of steroids
    I have probable cause

    I am as excited
    As a man could be
    If repeatedly stung
    On the ass by a bee

    [Commentators are angry at BUD SELIG for not supporting BARRY BONDS, but also angry at BARRY BONDS for tarnishing baseball's legacy.]

    MIKE GOLIC

    The commisioner's a coward
    The commisioner's a skunk
    He said he isn't judging Barry
    But that assertion's bunk

    Did you see him out there?
    He barely raised a hand
    He shouldn't have been present
    He demonstrated poor command

    BOB COSTAS

    I am short
    And yet long-winded
    So now I will declare
    That Barry's status as one of the game's great outfielders, which was secure before he started using performance-enhancing drugs — and I am absolutely certain of that, as certain as if I saw a man with a smoking gun standing yards away from another man he had just shot — is hereby tarnished but not entirely rescinded.

    [Two nights later, BONDS is back in San Francisco, in the lineup against the Nationals. The pitcher is MIKE BACSIK.]

    MIKE BACSIK

    Before I went into the windup
    I remembered I have a story, too
    Now I have made my mind up
    To tell that story to you

    My father faced Hank Aaron
    More than thirty years ago
    It's such a big coincidence
    It hardly seems legit, I know

    And yet, it's absolutely true
    Hank had seven-fifty-five
    Dad threw a couple pitches
    Then got Hank out on a soft line drive

    Baseball is a lengthy and complicated narrative
    We are only characters — to grasp that is imperative

    BARRY BONDS

    I wish your tale was something
    I could care about.
    It isn't. Throw it in here
    So I can knock it out.

    [BONDS hits 756 off of BACSIK. He is taken out of the game to a standing ovation. Hank Aaron reads a statement on the Jumbotron.]

    BARRY BONDS

    So much for your moral sense
    I launched the ball over the fence

    [BUD SELIG is furious. He places another "call" to Hank Aaron.]

    BUD SELIG

    I'm short of breath. I'm sick to death.
    Your home run record's sacrosanct
    And this drug-abusing freakshow
    Is now the one who is top ranked

    You say I should simmer down
    You say I shouldn't lose my cool
    But I feel like this musclehead
    Has played me for a foolish fool

    When I ignored the steroid thing
    I knew that this would be a risk
    Now my life's a welter
    Of cream and clear and asterisk
    And yet, my heart is cold and barren
    This record should be yours, Hank Aaron

    [SELIG drops the phone, which is wet with his tears. The next morning, he meets with the same brain trust that recommended calling the 2002 All-Star Game a tie.]

    CLIFFORD T. DORKELSON

    Here's a brilliant plan
    To help you get your man
    Let's send in an intern
    Dressed up as a spirit
    He'll make Barry feel bad
    And Barry has to hear it
    Pretty soon he'll get to be
    The saddest guy in MLB

    [Impressed by CLIFFORD T. DORKELSON's brilliant plan, BUD SELIG hires an intern to enter BARRY BONDS's house dressed in a succession of disguises. First, he is ROSS BARNES, who played with the Chicago White Stockings in 1876 and hit baseball's first home run. The costume is pants that are too short.]

    INTERN AS ROSS BARNES

    I am the man who once upon a time
    Hit the first home run
    I've been dead a hundred years
    It isn't any fun

    When I hit my homer
    It was off to the races
    They were all in-the-park then
    So I sped around the bases

    BARRY BONDS

    You're boring
    I'm yawning
    The two things are related.
    If you are part of history
    I'm glad it's what I've desecrated

    [The INTERN goes out and comes back as the second ghost, BABE RUTH. The costume is a fatsuit and a Yankees hat.]

    INTERN AS BABE RUTH

    I don't care that you used drugs
    I only care that you got caught
    But now you have to be a man
    If you want to be the new Sultan of Swat

    I might have lost a hundred homers
    When balls drifted foul after fair
    You don't hear me crying like a girl
    Or wallowing in my despair

    BARRY BONDS

    Zip it, tubby
    I don't need to listen to this
    You can't lecture me
    Didn't you die of syphillis?

    [The third ghost is Barry's father, BOBBY BONDS. The costume is amateurish makeup that makes him look vaguely like BARRY and a Father's Day card.]

    BOBBY BONDS

    I was the first man
    To go for thirty-thirty twice
    You should listen to me
    Respect my fatherly advice

    BARRY BONDS

    You had as many strikeouts
    As you had hits one season
    When was that? Nineteen sixty-nine?
    It defies all reason.

    [The last and final ghost is CRAIG MCNULTY, the pitcher who surrendered BARRY BONDS's first home run. The costume is a piece of paper with "Craig McNulty" written on it.]

    CRAIG MCNULTY

    A while back
    I threw a ball
    You hit it past
    The outfield wall

    It was the first
    Home run you hit
    I put my head
    Into my mitt

    Now I ask you
    To do what's right
    And prove that you
    Can feel contrite

    Ask that your name
    Be taken down
    As home run king
    Return the crown

    BARRY BONDS

    I think it's time for you to go
    You're not even dead, you know

    [The intern returns to BUD SELIG. Both are crestfallen.]

    INTERN

    We tried to get him to show contrition
    Instead he maintained
    His nasty disposition
    And then in addition
    He acted sarcastic
    I have to say my Craig McNulty impression was fantastic

    [BUD SELIG places another "call" to Hank Aaron, who does not answer. He retreats to his lair, which he calls the Bat-and-ball-cave, to try to resolve the BARRY BONDS problem once and for all.]

    BUD SELIG

    I do not like this Barry Bonds
    His achievements bring me pain, not pleasure
    As a result I have devised
    A black ops super-secret measure

    [BUD SELIG takes out a folder.]

    If I can't put him in the slammer
    I'll go to my dear friend, the Hammer
    I'll unretire him
    Then require him
    To rejoin a professional team
    And reclaim
    His good name
    By passing back the Great Pretender
    Hank will be the Great Defender.
    Only a worthy man can end this terrible dream.
    I know this seems like a crazy plan
    To take down Bonds with an elderly man
    But I plan to help out if I can
    Oh...
    I'll fix it
    I'll fix it
    I'll Richard-Nixon-dirty-tricks it
    If there's one thing I've learned
    It's not to get burned
    You need defense for every sneak attack
    And when a cheater cheats you, you should cheat right back
    I'll cook it
    I'll cook it
    I'll control-the-record-book it
    If Hank is batting 0-for-all
    I'll call for a gopher ball
    From the opposing pitcher
    If he complies, I'll make him richer
    And Hank can go yard a few more times
    He'll get a shot
    At clearing up this moral rot
    And erasing the shame of Barry's crimes
    I have always said
    We should make lemonade from lemons
    Plus, it's not like Hank is ancient
    He's in his early seventies
    Just like Roger Clemens
    He's in his early seventies
    Just...like...Roger...Clemens!!!!!!

    [BUD SELIG falls to his knees, clutching the Project Gopher Ball folder. Fade out.]

    Ben Greenman is an editor at the New Yorker and the author of several books of fiction. His latest book, A Circle is a Balloon and Compass Both, was recently published.
    Also: Catch Ben reading tonight at the Greenwich Village Barnes & Noble, 396 6th Avenue at 8th Street, 7:30 P.M.

    Previously: Fragments From 'Weekly World News! The Musical'


    Contact information for this author is not available.