• more about

    #bengreenman

    Unpaid Interns Are the Future

    Snark Infiltrates The New Yorker!

    Fragments From "Astor: The Musical!"

    read more: #mediamatinee, #bengreenman, #britneyspears, #top

    Fragments From 'Death Comes For Britney Spears! The Musical'

    From time to time the news cycle offers up an event of such import and complexity that it can only be comprehended through the medium of musical theater. This week resident composer Ben Greenman takes a closer look at the event that keeps us awake at night with anticipation: The impending death of now-childless young Britney Spears.

    [DEATH is bored. He calls his friend BILL.]

    BILL:
    Hey, you
    What say you?

    DEATH:
    It's not a good day
    Really, Bill
    Sure I have the
    Time to kill
    But I fear that I don't have the will

    I go about my business
    Every morning, noon, and night
    Most doomed souls go easily
    Some put up a fight

    But honestly it's boring me
    I don't know what to say
    The last pickup that I enjoyed
    Was probably that Martha Raye

    BILL:
    Dude, you know what?
    You should totally get
    Someone who isn't ready quite yet

    DEATH:
    It's not allowed.
    The fines would be large.

    BILL:
    Fines? Wait a second—
    Aren't you in charge?

    DEATH:
    In a sense, but it's complex
    The afterlife has many checks
    And balances. I can't just slay
    Whoever springs to mind today.
    I mean, well, yeah, I guess I could
    But I'm not sure it would be good.

    BILL:
    That's the very point I'm making
    You need to stop your bellyaching
    You're not the flu. You're not the sprain.
    You're Death, so rule your domain.

    Now I have to hang up the phone
    My wife went out and I'm alone
    It's one of those rare Just Bill nights:
    Just Bill and fifty porn websites.

    [DEATH laughs at his friend, betraying a trace of envy.]

    DEATH:
    Bill is a genius
    Although he's a rake
    But who will I go for?
    Who will I take?

    I'm calling Bill back
    Damn, he turned off his phone
    I don't really feel like
    Going out there alone

    [DEATH calls some other friends to see if anyone wants to go collect a few souls with him. Most are busy or invent an elaborate excuse to avoid the errand. Finally, DEATH calls LITTLE RICHARD.]

    LITTLE RICHARD:
    Whoooo-eeee!!!
    Who's calling me?

    DEATH:
    It's death
    But don't worry
    This isn't business
    It's just that, well
    I feel depressed
    And I'd love to have you
    As my guest
    On a little trip across the earth
    To find some souls and reverse their birth

    [LITTLE RICHARD is enthusiastic about the idea.]

    LITTLE RICHARD:
    Whooo-hoooooo!!!
    Where should I meet you?

    DEATH:
    It doesn't really matter. We'll
    Be traveling by astral plane.
    So how about the Platter Kill?
    I've always loved the name.

    [LITTLE RICHARD and DEATH meet by the Platter Kill, a stream in upstate New York. DEATH is wearing his trademark black robe. LITTLE RICHARD is wearing his traditional red jacket with rhinestones.]

    LITTLE RICHARD:
    Eeeee-aaaaaaaaaa!!!
    Good to see ya.

    DEATH:
    Good to see you, too, my friend
    So tell me: whose life should we end?

    LITTLE RICHARD:
    I've got an idea

    DEATH:
    I'm all ears

    LITTLE RICHARD:
    Let's go get that Britney Spears

    DEATH:
    That's an interesting notion
    It would cause a great commotion
    And her music's already dead, if you know what I mean
    But she's still in her youth
    And to tell you the truth
    I had sort of been thinking of killing Tom Green

    LITTLE RICHARD:
    The girl can't help it
    She was born to sleaze
    You'll see her here and there
    Down on bended knees
    Can she at least get
    Green monkey disease?

    [They agree to flip a coin. LITTLE RICHARD produces a coin, which is a quarter with a picture of himself on one side. The other side has a picture of his butt.]

    LITTLE RICHARD:
    Snakes and snails
    And hog slop pails
    And whips and wails
    I call tails!!!

    [It is tails. In Canada, in this middle of filming a scene where he French-kisses a cow, TOM GREEN feels an unspeakable cold shudder through him.]

    TOM GREEN:
    You know what's strange?
    I was briefly changed.
    A cloud crossed my heart
    And gave me a start
    But I'm all better now.
    Please bring back that cow.

    [DEATH and LITTLE RICHARD land in the living room of BRITNEY SPEARS. It is disorganized. Magazines are everywhere, along with lingerie and empty pizza boxes.]

    DEATH:
    It's hard to find her
    Amidst this debris
    She's probably still sleeping
    It's not even three

    [BRITNEY SPEARS stumbles out of the bedroom. She has slept in sunglasses.]

    BRITNEY SPEARS:
    I'm really sorry
    I slept so late
    Did I miss another court date?

    LITTLE RICHARD:
    Girl, listen, I'm sure you did
    But that's not why we're here
    You were young and pretty before
    Now you look like you drank a whole keg of beer

    BRITNEY SPEARS:
    Don't make rude sport
    Of my rise and fall
    I'm not a bad sort
    Not at all, y'all

    [DEATH interrupts.]

    DEATH:
    Do you truly wish to understand
    Why we've come unannounced and unplanned?

    BRITNEY SPEARS:
    Yes
    I guess

    DEATH:
    In a minute I'll take off my hood
    And you'll behold my flaming skull
    And terror will consume your mind
    And all your senses will go dull
    An icy finger on your brow
    Will take you from the here and now

    BRITNEY SPEARS:
    I'm sorry, y'all, but I don't know Greek
    Is that the language you're trying to speak?

    DEATH:
    Your mortal essence will lay coiled
    At your feet just like that snake
    You danced with at the VMAs
    And I don't mean Justin Timberlake
    You'll sleep but you will not awake

    BRITNEY SPEARS:
    I swear, I don't know what y'all are saying
    Is this some trick that Kevin's playing?

    LITTLE RICHARD:
    Bama lama bama loo
    Honestly, what can we do
    So that you understand this visit
    It's not that complicated, is it?

    A wop bop a loo bop a lop bam boom
    We are here to seal your doom!
    Ready, set, go man go
    Let's get started with the show

    BRITNEY SPEARS:
    I'm dying now?
    What? Why? And how?

    [DEATH fidgets.]

    DEATH:
    Well, it's not like I was bored
    And needed something to do
    And looked around the world
    And randomly picked you

    [DEATH removes his hood. He has, as promised, a flaming skull. He steps forward and touches BRITNEY SPEARS on the breast.]

    BRITNEY SPEARS:
    Hey! Uh, wait—
    You said my head.

    DEATH:
    Oh yeah. Right.
    Okay. You're dead.

    [BRITNEY swoons. Everything around her dissolves. She begins to sing with the voice of an angel.]

    BRITNEY SPEARS:
    Once I was a kind of modern Cinderella
    And then I beat the crap out of a car with an umbrella
    Oh...
    It's all coming back to me now in a blur
    I worshipped Madonna and made out with her
    I lived a life of adventure and fun
    I drank! I smoked! I hit and run!
    I shaved my head! I shaved my vagina!
    I acted as dumb as Miss South Carolina!
    Please take care of my mom and my kids
    I am kneeling and praying and closing my lids
    Goodbye, Sean Preston. Goodbye, Jayden James.
    Hey - not bad - I remembered their names.
    My journey from childhood to B-cup to pre-nup
    Is over. I'm done. I surrender. I give up.
    I'm laying down flat on the floor of the room
    So you can convey me to my timeless tomb.

    [DEATH bends down to pick up BRITNEY SPEARS but notices that she is not wearing underwear.]

    DEATH:
    Problem.

    LITTLE RICHARD:
    What?

    DEATH:
    I would take her but...

    [LITTLE RICHARD peers downward. He notices the absence of underwear, too.]

    LITTLE RICHARD:
    Oooo-aaaaa-eeeeee!!!
    Do you mean to say
    That you can't lift her
    And take her away
    If she isn't wearing drawers?

    DEATH:
    Sadly, yes. Can she wear yours?

    LITTLE RICHARD:
    Aaaaa-iiiiii-ooooooo!!!
    Upon further review
    I'm sorry to say
    I'm commando, too

    [BRITNEY SPEARS stirs, wakes.]

    BRITNEY SPEARS:
    I must have left the world behind
    This place I'm in, it must be heaven
    I was born back in the eighties
    And died here in two-thousand-seven
    Be strong, my fans—be good, be brave
    Bring cans of Red Bull to my grave

    [BRITNEY SPEARS stands shakily and tries to float away.]

    LITTLE RICHARD:
    Jenny jenny, wooo, jenny jenny
    When it comes to brains you ain't got any
    Hep-bop-a-dee-dee-dee-dee-wa-bop-bop
    The process came to a full stop

    [DEATH explains the situation to BRITNEY SPEARS more respectfully.]

    DEATH:
    I thought you'd be taken
    I thought we'd be going
    But we ran into trouble
    Your privates are showing

    [BRITNEY SPEARS is elated.]

    BRITNEY SPEARS:
    I'm saved, I'm saved!
    I feel so strange
    I'll learn to behave
    I promise I'll change

    [DEATH shrugs. He isn't really concerned with better behavior.]

    LITTLE RICHARD
    Bad luck baby put the jinx on me
    I think it's time for us to flee

    [DEATH and LITTLE RICHARD return first to the Platter Kill and then to their respective homes. DEATH is still frustrated by his inability to kill BRITNEY SPEARS, and the rules prohibit him from taking another crack at TOM GREEN for a while, so he kills his friend BILL instead. BILL's wife comes home to find him slumped in front of the computer, which is displaying a porn site. At BILL's funeral, she makes a speech about how BILL was the man of her dreams, and how she hoped to have a family with him, and how those imagined children would now never have the opportunity to have him as a father. She then sits in her car and plays BRITNEY SPEARS's new album, "Blackout," at top volume. It helps, a little, for a little while.]


    Previously: Fragments From "Isiah! The Musical"

    Ben Greenman is an editor at the New Yorker and the author of several books of fiction. His latest book, A Circle is a Balloon and Compass Both, was recently published.


    Contact information for this author is not available.