It has every media component you could want, and they're all married together in a platform. That means other artists could use it, other record companies could use it and gain the knowledge of our 15-year development curve.
If you doubt the man's seriousness about screwing around with technology, check out this live 1982 performance of the vocoder-driven "Sample and Hold." See? Those old analog vocoders beat the pants off T-Pain's digital auto-tuner. At the JavaOne conference, Young eagerly extolled the virtues of the entertainment industry's production standard of 96kHz, 24-bit digital audio.
Why do golden-ear types like Young hate MP3s? The format results in lower dynamic range, lossy compression artifacts and is thin in the upper frequencies. Digital audio also produces harsh even-order harmonics and not the odd-order harmonics which add textural timbre to chords, and integrated circuit amplifiers have a high noise floor because of radio-frequency interference. Even young consumers prefer the sound of analog hi-fi systems like Jackson Pollock's. (Photo by Andrea Barsanti)