Palimony Suit Could Force Jodie Foster's 'Midlife Crisis' $25 Million Over BudgetJodie Foster really has gotten off exceptionally easy so far in her dizzying, delicate miracle of new love with homewrecking writer/producer Cynthia Mort, with her most significant cash outlays being that always-steep first date and the extravagant "My Condolences" balloon bouquet sent Mort's way after HBO canceled her show Tell Me You Love Me. Foster had fared even better with ex Cydney Bernard, who, after 14 years of cohabitative bliss, spared the Oscar-winner the ugliness of custody squabbles, L Word box-set splits and other public indignities. Her typically low public profile escalated for what felt like mere minutes, soon returning to its subtle, cultivated ebb of lesbian quietude — just the way she likes it. Oh, but for the good old days, we're learning as the all-knowing National Enquireryour trusted (and print-only in this case, we're afraid) oracle for anonymously sourced Foster's Splitsville drama — now reports that the actress's romantic reboot may cost her a quarter of her fortune. Or, adjusted roughly for inflation, $25 million:
Over the summer, however, Jodie began to realize just how much was at stake financially. ... The actress has an estimated net worth of $100 million, with at least $50 million being earned during her relationship with Cydney. Cydney could ask for — and likely get — half of the $50 million if she sued Jodie. To counter that threat, the source says Jodie is desperately trying to keep peace between her new lover and Cydney. "She wants them to be friends," the source said. "Jodie realizes that if Cydney perceives them to be one big happy family, she'd never sure for half her assets."
And what signifies a "big happy family"? Free residency for Bernard at one of Foster's homes in LA, for starters, followed by invitations to "parties and barbecues" to visit Foster's sons Charles and Kit. And, of course, a classically Foster-esque buyout that we'll likely never know about, requiring a yearly six-figure annuity and the contractual divestiture of Foster's beloved, Scorsese-signed Taxi Driver one-sheet to Bernard's lawyers "just for the hell of it." A tough break, to be sure — perhaps the star's toughest yet. But for a younger woman and anything else worth having, pay now or pay later; we just hope this doesn't necessitate Nim's Island 2.