T-minus 48 hours and counting until theater critics can officially digest the spectacle of Katie Holmes's Broadway debut in All My Sons. Can't! Wait! But while the amateur pundits have already gotten a jump on the show's previews and Anonymous protesters have hammered out the kinks in their own play in front of the Schoenfeld Theater, one perennially-trustworthy perspective has trickled out onto the Web this morning for everyone to parse: That of Fox crack gossip and drama wonk Roger Friedman, who hastens to note that today's column is a "report," not a "review," lest Holmes might have been saving her A-game for Thursday's premiere.Never mind that Friedman writes in detail about the "recently discovered" Patrick Wilson, who has been an awards-hopeful leading man for the last two Oscar seasons. Katie is the story here, however buried, and however non-committal:
When I met her in April 2005, she told me she wanted to do plays. Then she met Cruise, and all of that was over. Three and a half years later, she gets her chance, at last. She isn’t bad. She’s up against some real pros, and she holds her own. Like most movie and TV actors, her voice and projection need work. But she knows her lines, appears to understand the character and does not embarrass herself at all. Given the pressures involved, that’s a lot. [...] The main thing is, Katie Holmes is in most of the play, and is working damn hard. She doesn’t need anyone to "save" her.
So back off, Anonymous! Those Broadway thetans will be exorcised just fine by Thursday; we'll have a full review round-up later in the week.