One of my Chinese friends describes certain Asians as having "really chinky eyes." As in, "No not Paul, the other guy, the one with really chinky eyes." He immigrated about 10 years ago, so he knows damn well what he’s doing, the fucker. I gasp and fall out of my chair every time.
Um, has anyone clicked through to the blog this item came from? The guy italicizes the word racist every damn time he uses it. I had to read five different posts to make sure he was really that self-righteous and not, ya know, poking fun at the idea that some people use that word to death. Jesus, talk about depriving a serious word of its meaning.
Can people start focusing our energy on people who are actually racist? Confucius say uproar at Amy Sedaris is waste of time bigger and less fruitful than polluted Yangtze Valley.
In addition, a book dedication is a personal message to the recipient (at least in the eyes of the recipient, who often is a fan). There's no diffusing filter of humor or satire, if that's what this is supposed to be.
It might not have seemed so funny if Sedaris had inscribed books with following (and I apologize for these examples):
To a Jew:
"So glad you couldn't be here. Why didn't you buy this book at a discount?"
To an Irish person:
"So glad you couldn't be here. Well, the Irish are drunk illiterates, anyway."
(Plug in ethnic group and stereotype of your choice.)
What is it about the Chinese and Mexicans that makes it OK to mock them?
@Seeräuber Jenny: Something tells me that the fan asked her to sign it like that. I can't see an author just randomly signing racial epithet's into books.
"I'll never date a Spic or a Mick!"
"Ching, chang, Chinese people have small pee-pee's!"
Cyrus is 15 or 16, not eight; she's old enough to be criticized for insensitive behavior, and really, she should have known better.
The difference between the New Yorker cover and what Sedaris did (although I don't know her work that well; I didn't like Strangers with Candy) is that New Yorker illustrated a set of very specific attacks on the Obamas, for example, that Barack was a muslim and Michelle a black radical.
Contrast that with the broad Republican attacks, Barack as an Uncle Ben figure on a package of pancake mix, or as a "magical Negro."
Sedaris's humor seems to fall in the second category, broad, pick-a-random-stereotype and hide behind it as humor.
Sweet Jesus, if the pictures of the horribly offensive, ignorant poses I made as a teen ever became worldwide knowledge...I don't get the whole "she's a role model for young children everywhere" argument. Why are your young children reading Perez Hilton to see her sideboob and chinaman face? Same with Vanessa Hudgens a while ago. She was a young woman in a relationship and wanted some sexy time. It's not like that was broadcast in the closing credits of High School Musical. Yeah, they do dumb stuff, but somehow a Disney contract is supposed to cure youth?
@HelloNurse: No, a Disney contract is supposed to steal youth, gin it up into a frothy mass-marketed ice-cream float of vanilla blandness and leave behind a hardened carbon husk.
The Sarah Silverman bit is funny because she's making fun of racism. With the Amy Sedaris thing, I'm not so sure. Or if she is, it's so clever it went over my head.
Hmmm. I'm perfectly willing to go with the Miley Cyrus=brainless teen excuse.
As for Sedaris, except for brief flashes and the apparently astonishing fluke of Strangers with Candy, too much of her work seems as much like random exhibitionism by someone who's figured out how to get a rise out of an audience (or to titillate hipsters who know others will be appalled/offended) than any kind of genuine humor.
Of all the Sedarises I've experienced or read about, the only one I think I'd like to have known is their mother...
@Muscato: You can't tell me it wouldn't be fun to hang out with Paul.
How can you go wrong with a fuck-it bucket and bons mots like "You need to have them ugly-ass bunions shaved down is what you need to do, but you cain't do shit about it right now, so lighten up, motherfucker"?
@Muscato: I'm trying to figure out how three seasons of a show like Strangers With Candy is a fluke. I mean, considering she was co-creator and co-writer for about 30 episodes and the lead. And the Talent Family plays were the funniest thing I have ever seen on stage. And she is always hysterical on Martha Stewart and Letterman. And she makes good cupcakes. And I would love to hang out with her and her bunnies and taxidermy.
@Muscato: I live in Raleigh, right around the corner from Sedaris Hardwood Floors' headquarters, and sometimes I am lucky enough to see Paul (I guess it's Paul; he's driving the van and looks Sedaris-y in the face) pulling out onto Whitaker Mill Rd. to lay down some flooring. That said, everyone I know in Raleigh who "gets it" takes part in at least occasional over-the-top-I'm-so-racist jokes. You have to laugh down here, or you'd cry all the time.
If Miley Cyrus had wanted to showcase her incredible ironic comedy talents to the world before, she had plenty of opportunities in which to make Strangers with Candy 2: Electric Boogaloo, if thet's what she wanted. She's a famous offspring, and current fave of the Obama girls - she could do whatever she wants. However, she went for the simple and the boring. Fail.
Can we take away her fame pass yet? She's invading my brain way too much for someone who is essentially just someone else's child, and I'm trying to get into Raymond Carver over here.
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Can people start focusing our energy on people who are actually racist? Confucius say uproar at Amy Sedaris is waste of time bigger and less fruitful than polluted Yangtze Valley.
02/03/09
"So glad you couldn't be here. You think Jerry Lewis is funny, so you wouldn't get my humor."
02/03/09
It might not have seemed so funny if Sedaris had inscribed books with following (and I apologize for these examples):
To a Jew:
"So glad you couldn't be here. Why didn't you buy this book at a discount?"
To an Irish person:
"So glad you couldn't be here. Well, the Irish are drunk illiterates, anyway."
(Plug in ethnic group and stereotype of your choice.)
What is it about the Chinese and Mexicans that makes it OK to mock them?
02/03/09
"I'll never date a Spic or a Mick!"
"Ching, chang, Chinese people have small pee-pee's!"
"Canadians do it with their hockey sticks!"
02/03/09
02/03/09
The difference between the New Yorker cover and what Sedaris did (although I don't know her work that well; I didn't like Strangers with Candy) is that New Yorker illustrated a set of very specific attacks on the Obamas, for example, that Barack was a muslim and Michelle a black radical.
Contrast that with the broad Republican attacks, Barack as an Uncle Ben figure on a package of pancake mix, or as a "magical Negro."
Sedaris's humor seems to fall in the second category, broad, pick-a-random-stereotype and hide behind it as humor.
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it says so - gotta read the contract.
02/03/09
Though after reading American Born Chinese (which you should all read, btw), it's hard to laugh at any of this anymore, really.
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As for Sedaris, except for brief flashes and the apparently astonishing fluke of Strangers with Candy, too much of her work seems as much like random exhibitionism by someone who's figured out how to get a rise out of an audience (or to titillate hipsters who know others will be appalled/offended) than any kind of genuine humor.
Of all the Sedarises I've experienced or read about, the only one I think I'd like to have known is their mother...
02/03/09
How can you go wrong with a fuck-it bucket and bons mots like "You need to have them ugly-ass bunions shaved down is what you need to do, but you cain't do shit about it right now, so lighten up, motherfucker"?
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Can we take away her fame pass yet? She's invading my brain way too much for someone who is essentially just someone else's child, and I'm trying to get into Raymond Carver over here.
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Isn't it really easy to read Carver because everything is so short and to-the-point?
02/03/09
I'm having a general short story moment as I've just started writing them again. So, Chandler's good, you say...?