Also, the producers are filing a grievance against Piven with Actor's Equity.
That's right, Piven! The UNION'S after you now! Yeahhhh! We're gonna...we're gonna fine you or something. Or like, send you a letter! A strongly worded letter! Yeaaaaahhhhhhh, what now, beeyotch?!!
@katastic: I wish this blog would let us assign various levels of funny to posts. Or maybe just one level, represented by a smile, that gets bigger the more people click on it.
Ben Brantley then went home and told his 13 year old daughter that it didn't matter none of the cool kids came to her birthday party because she could have just as much fun with just the fat girl who eats her feelings and "Brace-face" Joblonski.
Riedel himself is one of the biggest reasons that NY theater critics no longer wield any power, or are considered a part of the community. He's a weasel who lives for dishing the dirt behind the scenes, and can't be bothered with frivolous details like, oh, what's the play about?
Watch the staged critics' roundtables during the recent documentary Show Business; he's the only one who has nothing constructive or illuminating to say. He doesn't want to be Addison DeWitt: he wants to be some bastard combination of Walter Winchell and Matt Drudge. And he fails in both directions.
Wait, the fired Star Ledger critic is bitching that he actually had to work instead of going to parties? And he admits that he's a clueless buffoon?
You know what, fuck that shit. I was a reporter for 10 years in New Jersey and had to do a lot more unpleasant things than talk to striking actors. Has the dude ever had to do "cop checks" or go to fucking municipal budget meetings? What about working election night calling 105 year old vote counters in weird counties? Or talk to the family members of murder victims or write obituaries on Christmas day
@BookishLookish: Seriously. Fuck that dude. Journalism is supposed to be hard work and it's often dull hard work.
I have no fucking sympathy for a dude who got a theater reviewing job at one of the highest paying newspapers on the East Coast and then bitches that he actually has to work - and seems to think that learning how to use new technology is beneath him.
@drunkexpatwriter: Have you seen the documentary about Toots Shor, it's called "Toots"? As an old newspaper man, I think you would find it fascinating. Not sure if Netflix goes over to France, but check it out.
@SarahHeartburn: Agreed hence why I don't see why this dude is bitching.
The only times I don't find work hard and dull is when I'm writing "reviews" for really pretty escorts. And even describing imaginary sexual encounters with them gets old if I have to do it for more than about two days in a row.
But, Jesus Christ, how hard could a theater reviewing job be? Compared to all the other drudge work that journalists have to go through - it's a snap.
And these guys make a fortune because they are considered featured writers. I remember the day I found out that the highest paid writer on the Gannett New Jersey staff was the television writer.
This was after I'd spent three weeks working 12+ hour days covering a really long and involved and sad murder trial that sucked the soul out of me.
@drunkexpatwriter: Ya know, Mike Sommers is a really sweet guy, he's clearly joking in the quote, and we should probably give him a break since he just got laid off.
@PerhapsNot: I'll take your word for it, but back in the day when I was competing against the Ledger there was a fairly high asshole quotient among the reporting staff, so my first instinct is to assume he was being serious.
That said, there was a fairly high asshole quotient at the papers I was working for as well, so please don't take this as a dig against the Ledger per se....
01/27/09
01/27/09
That's right, Piven! The UNION'S after you now! Yeahhhh! We're gonna...we're gonna fine you or something. Or like, send you a letter! A strongly worded letter! Yeaaaaahhhhhhh, what now, beeyotch?!!
01/27/09
01/27/09
01/27/09
01/27/09
01/27/09
Ben Brantley is a lonely man.
11/02/08
11/02/08
Watch the staged critics' roundtables during the recent documentary Show Business; he's the only one who has nothing constructive or illuminating to say. He doesn't want to be Addison DeWitt: he wants to be some bastard combination of Walter Winchell and Matt Drudge. And he fails in both directions.
11/01/08
11/01/08
You know what, fuck that shit. I was a reporter for 10 years in New Jersey and had to do a lot more unpleasant things than talk to striking actors. Has the dude ever had to do "cop checks" or go to fucking municipal budget meetings? What about working election night calling 105 year old vote counters in weird counties? Or talk to the family members of murder victims or write obituaries on Christmas day
What a dick this dude is.
"Misled" my ass.
11/01/08
11/01/08
I have no fucking sympathy for a dude who got a theater reviewing job at one of the highest paying newspapers on the East Coast and then bitches that he actually has to work - and seems to think that learning how to use new technology is beneath him.
11/01/08
11/01/08
11/01/08
11/01/08
The only times I don't find work hard and dull is when I'm writing "reviews" for really pretty escorts. And even describing imaginary sexual encounters with them gets old if I have to do it for more than about two days in a row.
But, Jesus Christ, how hard could a theater reviewing job be? Compared to all the other drudge work that journalists have to go through - it's a snap.
And these guys make a fortune because they are considered featured writers. I remember the day I found out that the highest paid writer on the Gannett New Jersey staff was the television writer.
This was after I'd spent three weeks working 12+ hour days covering a really long and involved and sad murder trial that sucked the soul out of me.
11/01/08
11/01/08
That said, there was a fairly high asshole quotient at the papers I was working for as well, so please don't take this as a dig against the Ledger per se....