"Earlier, the cartoonist... posted the original version of the cartoon on his blog. In this version, it shows the punch line as 'AIDS' instead of 'a baseball bat.' The paper, he claimed, preferred 'not to make light of fatal diseases.'"
After the New Yorker ran its controversial Barack Obama cover satirically mocking smears against the candidate, the presumptive Democratic nominee acted like it really didn't bother him all that much. "It's a cartoon," he told CNN. That seemed very reasonable! But it sounds like Obama was more angry than he let on. The New Yorker was shut out of much-coveted plane tickets for the senator's trip to the Middle East and Europe next week. Neither Washington correspondent Ryan Lizza nor, Politico's Mike Allen confirms via email, anyone else from the magazine is among the 40 journalists blessed with seats. Granted, some 200 people applied for tickets. But given the New Yorker's circulation, influence and often heroic coverage of not only politics but also the war in Iraq (George Packer), U.S. intelligence and covert military operations (Seymour Hersh, Steve Coll), American torture (Jane Mayer) and the inner workings of the Bush administration, it's hard to see the snub as anything other than payback.
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This is the problem with being an editor or publisher or writer or cartoonist or even blogger and having some small lingering trace of a sense of irony—sometimes you accidentally assume that the Vast and Mysterious "Audience" shares that subversive French sense. Thankfully, after what will presumably be a full week of Outrage and Demands for Apologies, David Remnick and his New Yorker will never make that mistake again. As you might've seen, the cover of that influential publication this week shows Barack Obama dressed as a Muslim, and he is Terrorist Fist-Bumping his aggrieved wife as a flag burns in the Oval Office. This obvious and heavy-handed satire has enraged Democrats and liberal media critics because now they are pretty sure this nation of child-like imbeciles will believe it to be an un-retouched photograph from the FUTURE. New Yorker editor David Remnick defended the cover to the Huffington Post. Did you know that sometimes that magazine makes "jokes"? More »
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