@Swordfish: Even if some of the results were less Rembrandt and more Picasso.
(Still nothing compared with the atrocities that go down now, pixel by manipulated pixel.)
@BookishLookish: I think it was on the audio commentary for the 1964 version of The Killers that someone told a story about how Lee Marvin used to show up for work every day HAMMERED and would keep his mouth closed unless he absolutely had to speak (like, if he had lines). He confided in one of the cast members (I want to say it was Clu Gulager, but don't quote me on that) that he kept his mouth closed so that nobody could smell the booze on his breath. Clu didn't have the heart to tell him that they could smell it on his skin...
@if_i_only_had_a_heart: In college we used safety razors, and the typesetters ran off a punch tape! After a long night in makeup, there were always strips of leftover border tape on the bottom of my shoes.
@naugahydeinplainsight: after one super long night laying out my college magazine, i had a dream that something was in my eye and it was a huge line of...line. good times.
@naugahydeinplainsight: Yes but have any of you ever set metal type? I think it should be a requirement in every design program. Kids these days don't even know what "leading" is!
Roger Ebert used to make fun of the "Mad brassiere artist" or something like that who was always covering up womens chests in movie ads because someone at the paper though there was too much skin exposed. It was always so noticeable & you then went to find the original & discovered that there wasn't that much showing in the first place.
@misslinda: I still use a grease pencil on mechanicals. Also have been known to rock the All Purpose Correction Fluid. (I also have one of those pens on a chain that Joan uses on "Mad Men.")
@BookishLookish: Mmmm...cello-tak. I still use my Schaedler Precision Rules on a regular basis. They used to hang by a unbent paper-clip from a red lamp above a drafting table with one of those slidey-straight edge wire contraptions. I miss the good ol days...
@BookishLookish: I was briefly an actual copy boy (I guess they call them "clerks" these days) at a NYC tab when they still were using 6-books and you delivered takes to the editing desks one by one as the writer finished. Very Hollywood, ca. 1940s.
(They also sold beer in the cafeteria, but that's a different issue.)
@misslinda: One of my first jobs was working for a small trade magazine down in the fur district. The editor laid the entire issue out by hand on large boards. Later, I worked for an art university where my boss taught students typography by hand. While I worked on a Selectric and smoked in the office. This was the 80's, not the 40's, but boy it seems a century ago.
Someone apparently involved in the newspaper industry pointed out that the red lines indicate that the photo was probably to be used as a headshot, and that a headshot with a naked man chest exposed might confuse the viewer as to what exactly they were supposed to be looking at. Hence, the bad colar job.
Then again, didn't the LA Times have a real staff artist, for chrissakes? And what could be more confusing than the expression on Heston's face, here?
@hilikusopus: Uh, yeah. With that expression on his face, I'd think a headshot would be the last possible use for this photo. Looks like he's trying to pinch a loaf.
@hilikusopus: Follow the link to get a sense for how the pic was actually used -- in this case with a review of the movie, so even in 1-column the "dramatic" expression makes sense.
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(Still nothing compared with the atrocities that go down now, pixel by manipulated pixel.)
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and, real spikes on the copy desk
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Walla...
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In the category of Bad Photo Editing, here is the runner-up:
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You can't make this up, people! Ask your old-timer journalism friends.
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(They also sold beer in the cafeteria, but that's a different issue.)
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"Click to enlarge" had me chortling.
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Ball Peen Hammer. Ay ya yay!
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Musque of Baguette
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Then again, didn't the LA Times have a real staff artist, for chrissakes? And what could be more confusing than the expression on Heston's face, here?
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