Brooks Drops the Bass, Loses the Thread, in 'D.C. Dubstep' Column

What's the worst thing about chief New York Times pop sociologist David Brooks' new column, which is titled "The D.C. Dubstep" in a vague approximation of cleverness? Is it the insipid central metaphor, by which Brooks has each party doing "dance moves" in advance of the coming sequester and its accompanying deep…
