<![CDATA[Gawker: fake memoirs]]> http://cache.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: fake memoirs]]> http://gawker.com/tag/fake memoirs http://gawker.com/tag/fake memoirs <![CDATA[ James Frey on the Picket Line: A Short Scene ]]> frey23.jpegNow that James Frey is shilling his new novel, a screenwriter who walked the picket line during last fall's strike wrote in to share his experience with Frey, who "showed up to carry a sign and (I suspect) generally be seen. A female writer saw him and truly didn't recognize him at all. Here was the exchange that happened..."

Her: What do you write?

Frey: I used to write screenplays now I write books.

Her: Oh, what kind of books, fiction or non-fiction?

Frey: (chuckles) Well, that's been up for debate recently.

Her: (absolutely no irony whatsoever) Well, don't you think you should choose?

Frey: (an arrogant laugh) To be honest with you, I don't really give a shit.

(Scene)

In related news, violence was reported at his book release party.

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Wed, 21 May 2008 10:11:05 EDT Sheila http://gawker.com/index.php?op=postcommentfeed&postId=392359&view=rss&microfeed=true
<![CDATA[ The NYT <i>Loves</i> James Frey's New Book ]]> frey23.jpegWe haven't read it yet (somebody please send!), but the NYT has totally fallen in love with reformed lying-memoirst James Frey's Bright Shiny Morning, set in Los Angeles. Times critic Janet Maslin writes, "His publisher called it a dazzling tour de force. (Look, somebody had to, if only to create a comeback drama)... But that wasn't so far off the mark..." It's the "captivating urban kaleidoscope that, most recently, Charles Bock's 'Beautiful Children' was supposed to be." And what else?

Crisis, violence, redemption, whatever: that's what he knew about. That's what he wrote about. That's what he passed off as nonfiction. That's why he sounded as if he'd seen too many lousy movies.
So the Bright Shiny Morning guy did it differently. He let the little vignette play out against a big, gaudy, dangerous Southern California backdrop, full of drug-dealing gang-bangers, full of schemers, phonies, rich with a history of robber barons, all of it listed here, all of it stacking the deck against any generosity of spirit. The son steals the maid's virtue? Been there, read that. They plot against the old lady? Been there too. This novelist wanted something else for Esperanza: he wanted to honor her, fall in love with her, do it with startling sincerity. He wanted to save her.

And it worked.

That's how James Frey saved himself.

Maslin wrote her review in the style of Bright Shiny Morning (which you can see more of in this excerpt, about Perez Hilton). Awww, look! They love each other!


Little Pieces of Los Angeles, Done the Frey Way [NYT]

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Mon, 12 May 2008 13:37:05 EDT Sheila http://gawker.com/index.php?op=postcommentfeed&postId=389594&view=rss&microfeed=true
<![CDATA[ James Frey Didn't Even <i>Want</i> To Publish <i>A Million Little Pieces</i> as Nonfiction ]]> frey23.jpegJames Frey is doing just one interview for his new novel, Bright Shiny Morning, and it's with Vanity Fair. Writer Evgenia Peretz tries to get to the bottom of what exactly happened with that whole fake-memoir scandal of his last book, which caused him to be ritually flensed on Oprah. "During the publishing process, Frey, it seems, still had some misgivings about putting the book out there as a memoir." Is there usually so much sturm und drang about putting out a memoir? If it's true it's a memoir and if not it's fiction, right? We're sort of tired of debating the mechanics of it at this point, but apparently it's just not that simple.

Unnoticed under the din of all the turbo-charged, unflinching, badass excitement was an article in the Minneapolis Star Tribune, in which the reporter, Deborah Caulfield Rybak, raised questions about the plausibility of the book. She asked Talese about possible factual discrepancies, and why there wasn't an author's note if, as Frey had told reporters, names and identifying characteristics had been changed. Talese said, "It's a total slipup that we didn't have a disclaimer page. I'm embarrassed."
Basically it sounds the entire publishing process—from agent to publishers to the author himself—was entirely convoluted. Nobody could freaking decide what they wanted, or thought, or what the other party meant by "fiction" or "nonfiction" or "this is pretty much how it happened, more or less." At some point, however, Frey just started passing off certain things that hadn't happened as true, such as his fictional three months in jail, and that's where the problems began:
"There's nothing to do there. You can go out to the yard and walk around or shoot hoops or lift weights. I didn't really want to do anything, so I spent most of my time reading books." He added that his reading list inside the slammer included Don Quixote, War and Peace, and The Brothers Karamazov.
Everyone has a slightly different story as to what happened because they all need to save their own asses, but nothing beats the words of Oprah: "It's not an idea, James. That's a lie." She has spoken.

James Frey's Morning After [Vanity Fair]

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Tue, 29 Apr 2008 13:22:19 EDT Sheila http://gawker.com/index.php?op=postcommentfeed&postId=385263&view=rss&microfeed=true
<![CDATA[ Stephanie Klein Sells Self Down The River ]]> stephk.jpgSixth grade: No one looked good. In promotion of her new book, Moose: A Memoir of Fat Camp, notably redheaded blogger Stephanie Klein recounts some of her most awkward moments. (She used to look weird, you know.) In the clip after the jump, she shows a forged note from a childhood's crush claiming he's in love with her. Looks like we found our next Margaret Seltzer!


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Fri, 28 Mar 2008 11:44:32 EDT rebecca http://gawker.com/index.php?op=postcommentfeed&postId=373386&view=rss&microfeed=true
<![CDATA[ How to Fact-Check a Scandalous Memoir, Offend Your Friends ]]> lacaholic.jpgIn the Guardian, Tom Sykes, author of addiction memoir What Did I Do Last Night?, tells us how his publisher, along with a lawyer, made him fact-check his memoir: by sending the manuscript to everyone mentioned, including his drug dealer! Some of these people, while accurately described, were pissed. Especially Chris Wilson, formerly of Page Six and currently of Maxim!

"Most people were surprisingly sporting about the whole thing. A few objected so violently that I had to change their names. Others took issue with the most unexpected things. Take Chris Wilson, with whom I worked on the New York Post gossip column. I had written in some detail about the freebie overseas holidays we took, and the fact we got smashed almost every night for two years and rarely saw a bill.

He rang me up in a fury.

"I can't believe you have done this to me! You have me using the word 'ridonculous' four times! What the hell? I'll be saying fo-shizzle next!"
Tom Sykes on Fake Memoirs: [the Guardian]


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Tue, 25 Mar 2008 11:20:55 EDT Sheila http://gawker.com/index.php?op=postcommentfeed&postId=371857&view=rss&microfeed=true
<![CDATA[ Gangsta Love ]]> l%26c.jpgWe finally got around to reading the fake gang memoir, Margaret Seltzer's Love and Consequences. While we agree with the NYT's Michiko Kakutani's assesment ("self-consciously novelistic"), we thought there was one line worth sharing: "He leaned over and gently kissed me... his lips tasted like Olde English and chronic smoke." Word up!

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Mon, 24 Mar 2008 09:36:31 EDT Sheila http://gawker.com/index.php?op=postcommentfeed&postId=371299&view=rss&microfeed=true
<![CDATA[ What If Your (True) Memoir is So Good That Nobody Believes It? ]]> mem1.pngRegarding the fake memoir crisis, and its effect on budding writers: sometimes, your life, or the lives that touch yours, are so "bafflingly fucked" that the only thing to do is write about it. After the jump, two memoirists (one published, one not) with Dickensian backgrounds talk about the Frey/Leroy/Seltzer clusterfuck that conspired to cast doubt on their stories. (One way to prove that your homeless memoir is true? Dump memorabilia from your years as a waif on their desks!)


Says one writer, currently shopping a memoir to agents:

"Boilerplate responses to partials are part of the game, to be sure, but I have certainly noticed a sway in the 'current climate' that may or may-not be related to lying writers. I finished my book and called it a novel because I thought it might play well with the agents if I were to say, 'With all these lying writers, what if I told a true story and called it a novel?' The story I tell in my novel is all fact and is as tragic as it is hilarious. I grew up in squalor, under a set of huckleberry circumstances so bafflingly fucked that the only means of keeping it together was to work - and to write it all down and make fun of it."

"After I finished the book and queried some agents, I had ten requests for the manuscript. Four have turned it down... A better question might be: who gives a fuck? I look on the bright side. My story is implausible - there's no way anyone will believe it in the "current climate". I keep rooting for Charles Bock and the other etceteras who seem to be moving forward with their true-to-life coming-of-age tales which are now getting published as novels."
Next, author Janice Erlbaum on how two separate fake- memoirist scandals affected both her books:
"I'm a two-time loser when it comes to fake memoirists fucking me up. My first book, Girlbomb: A Halfway Homeless Memoir, was eight weeks away from release when the James Frey story broke... I wrote to my editor right away to say, "Hey, you guys know you can trust me, right? How about if I come in to your lawyer's office with all my memorabilia and show you that I really was an unsavory, promiscuous, drug-addled kleptomaniac teenager?"

The good folks at Random House granted me an audience, and I shlepped a bag full of old notes, journals, photos, and report cards up to the office, where I dumped them all on the desk - "Look, here's a song I wrote to the tune of 'Oh, What a Beautiful Morning,' about stealing from my job at the snack stand at Sheep Meadow. And here's a report card - 'Excessive absence!' Isn't that great?"

My publisher was satisfied, but the press wasn't - many reviews for the book questioned my credibility.

I thought things were going to be different this time around - just four weeks ago, my second memoir, Have You Found Her, was released. This time, I'd shared all my source materials with my editor and the lawyers at Random as I was writing the book; fortunately, I'd been detailing most of the events in real time on my blog, and my editor met many of the people I'd written about, so there was little question that I was being truthful.

I've been trying to stay calm and just keep promoting the book, but now every interviewer wants to know about Margaret B. Jones. And nobody wants to know about Janice D. Erlbaum.
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Wed, 12 Mar 2008 16:55:02 EDT Sheila http://gawker.com/index.php?op=postcommentfeed&postId=367098&view=rss&microfeed=true
<![CDATA[ Fake Memoirists Ruining it For Everybody Else, Naturally ]]> doc.pngWe want your stories about how fake memoirists are messing up your damn writing career! Here, we have the tale of a young surgical resident whose operating-table narrative is being held back "in this current climate." "Thank goodness I've got a fondness for amber liquors," he adds. What's up, Doc?

"Two years ago I began shopping a manuscript of my experiences as a surgical resident. It wasn't memoir per se (no "I was born in a log cabin in the year 1862" kind of stuff), but a collection of true stories told from my perspective. I got several requests for partials, and I happily FedExed out pages to just under a dozen agents. Then James Frey broke. In the week following his public flensing at the hands of Oprah, I received several emails, letters, and even one phone call from agents who said "in this current climate, first-person based nonfiction's a tough sell." Many suggested trying again in a year. Looks like I missed my window, since the agent I finally found wants to wait this storm out as well. Thank goodness I've got a fondness for the amber liquors."
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Wed, 12 Mar 2008 14:32:13 EDT Sheila http://gawker.com/index.php?op=postcommentfeed&postId=367024&view=rss&microfeed=true
<![CDATA[ Calling All Memoirists & Nonfiction Writers (Real, Not Fake!) ]]> memoir.pngAre you writing a memoir or nonfiction right now? Have you experienced backlash in the wake of fake-memoir scandals? Tell us about it! We'll keep it anonymous.

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Wed, 12 Mar 2008 13:34:22 EDT Sheila http://gawker.com/index.php?op=postcommentfeed&postId=366981&view=rss&microfeed=true
<![CDATA[ Fake Writers: Gotta Catch 'Em All! ]]> seltzer_npr_gawker.flv-3.jpgThe NYT's Motoko Rich helpfully rounds up all the offenders in the fake-memoir trend. Valley Girl gang-pretender Margaret Seltzer, James Frey, and Laura Albert (aka JT Leroy) are only the tip of the iceberg: "The history of literary fakers stretches far, far back, at least to the 19th century, when a slave narrative published in 1863 by Archy Moore was revealed as a novel written by a white historian, Richard Hildreth..." Meanwhile, Slate wonders, in reponse to Seltzer's claim to be part Native American, "Why do writers pretend to be Indians?" Apparently this, too, is a trend. In related news, As well, the gang-violence-reduction foundation that Seltzer claimed to have founded, called Brother/SisterHood, is now thought to be fake.

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Sat, 08 Mar 2008 12:08:11 EST Sheila http://gawker.com/index.php?op=postcommentfeed&postId=365506&view=rss&microfeed=true