<![CDATA[Gawker: giorgio armani]]> http://cache.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: giorgio armani]]> http://gawker.com/tag/giorgio armani http://gawker.com/tag/giorgio armani <![CDATA[ Armani And Aniston Busted For Fur ]]> Bigthumb.Janiston090308 01 X17

  • Wacky old Giorgio Armani is going back on his promise to PETA not to use fur in his designs. [P6]
  • Meanwhile, Jennifer Aniston was seen coming out of a fur shop. [Faded Youth]
  • Oil heir Brandon Davis hasn't actually inherited anything yet, so he's scamming all the other heirs and rich people for money, and that's apparently not cool. One of them is going to call the American Express fraud department if complaining to Page Six doesn't produce immediate results. Smart plan. [P6]
  • Heather Mills is actually suing someone who called her a "witch" on the grounds that she's not actually a witch. Apparently in England witch accusations are still taken very seriously. [P6]
  • Perez Hilton will be photographed with his hair on fire surrounded by naked people. [P6]
  • Supposedly, Crispin Glover disowned a friend for sleeping with Gene Simmons in that sex tape. [Showbiz Spy]
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Fri, 19 Sep 2008 07:50:37 EDT Ryan Tate http://gawker.com/index.php?op=postcommentfeed&postId=5052137&view=rss&microfeed=true
<![CDATA[ Best Of Armani Vs. <i>Times</i> Catfight ]]> Picture 9-7Yes, the fashion industry is just like high school, and Times fashion critic Cathy Horyn not only said it but proved it this morning with an article detailing, in no less than 1,400 words, her own petty squabble with designer Giorgio Armani. Aramani appears to be, by far, the pettier of the two, having banned Horyn from his fashion shows over a rough review in January and having sent a bitchy letter to her bosses. But Horyn has also been catty, writing repeated melodramatic accounts of the feud and casting Armani as something of a 1980s has-been, even as she puts on analytical airs. Here's a quick summary, in Horyn and Armani's own words, of their hissy little slapfest:

From Horyn's January Paris dispatch, which set off the whole fight:

Mr. Armani’s niece, Roberta, sat next to Hilary Swank, who had on a black beaded cocktail dress. Ms. Armani never seemed to stop smiling. [Apparently Armani was offended at this characterization of his niece. —ed.]

...There was nothing lurid or in bad taste about Mr. Armani’s clothes, but neither was there anything subtle or particularly surprising about them...

Despite his incredible design range over the years, irony and self-reference are not within [Armani's] imagination, so there will never be a jewel of a dress coming out from a huge beige hub of an Armani jacket. The great thing about watching a Lagerfeld couture show, and to an extent a Galliano, is that each dress and jacket is not only unique but also conveys with wit the history of the house. You get that much less with Mr. Armani.

The response from Armani, in one or more letters he wrote to Horyn's editors and possibly to Horyn herself, as described by Horyn:

He thought I was “belittling” of his family and friends...

In a letter to my editor earlier this month, [Armani] cites my “unnecessarily sarcastic comments” about his friends and family in a review of his last couture show and notes that I have “rarely found positive remarks” to make about his ready-to-wear collections, and then surmises that I have “an embedded preconception.” He concludes: “Going forward therefore, I see no real merit in inviting Cathy Horyn to my women’s shows.”

Horyn replies:

Practiced mainly by older designers, whose careers took flight in the 1980s, banning seems a reflexive action against a perceived threat to their power...

The ’80s was a creative period in fashion, the decade of nouveau-riche dressing and the invasion of the Japanese designers in Paris, but it was also an uncritical one...

it is clear to her that some designers don’t fully understand the different roles of the media — the magazine editors looking for beautiful clothes to photograph (and, with luck, an advertiser to satisfy in the process), the newspaper critic examining a creative change, and increasingly the amateur blogger...

Many consumers find Mr. Armani’s clothes very appealing, and certainly no one would bother denying that he had a huge impact on the way men and women looked in the ’80s and early ’90s. I loved attending his shows then...

I can’t say yet whether I will write about Mr. Armani’s clothes by viewing them online. Frankly, I would be much more excited if he unburdened himself of the whole system, closed down the shows, stopped with the backstage stroking sessions, and went directly over the Internet to the public.

Times: My Invitation Isn’t in the Mail

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Thu, 13 Mar 2008 04:09:50 EDT Ryan Tate http://gawker.com/index.php?op=postcommentfeed&postId=5003788&view=rss&microfeed=true
<![CDATA[ Giorgio Armani Is OK That You're Fat ]]> giorgio%20armani%20thin%20man.jpgWhen he wasn't busy blacking up Kate Moss for his editorial stint on Britain's Independent, designer and disembodied head/hand Giorgio Armani found time to weigh in — get it! — on the thin/fat model teapot-tempest that continues to rage. Well, maybe "rage" isn't the right word. Armani certainly plays the peacemaker, dismissing complainers as alarmists who "exaggerate the problem." And even though he admits his models have always been on "the slender side" (because his clothes must "hang correctly on the body"), the anorexic model trend ain't nothin' to do with him. As counter-example, Armani even takes time to gingerly trod on Gianni Versace's grave, all but calling his dead competitor a chubby chaser. The article's behind the Independent's subscription wall, so we present it for your delectation after the jump.

The Third Leader: Not too thin...
Giorgio Armani
Published: 21 September 2006

Ever since I started out as a fashion designer, I chose to use models who were on the slender side. This was because the clothes I design and the sort of fabrics I use need to hang correctly on the body. I want the dresses to seem to float and flow with the body.

Gianni Versace was a very different kind of designer. He used jerseys and chiffons, which needed a body of a certain shape to hold the fabric. He used more voluptuous models. The particular styles I designed were quite different, and this is why, maybe, I was regarded as being among those designers who used slim women as models.

But I do not feel responsible for setting a trend towards models who look anorexic. As so often in the fashion world, things have been taken to extremes. And unfortunately there are a lot of young women who never accept that they are thin enough - and this is an illness.

In my view, all women want to look much slimmer than they are, and this encourages them to be very careful about what they eat. But there is a similar issue at the other end of the scale: there are very few women who have just the right degree of voluptuousness to be pin-ups.

Most of the comment on this issue of anorexic models - like comment on anything - tends to exaggerate the problem. But the fact that we are dealing with the world of fashion, where so much is exaggerated anyway, means there has been a particular lack of balance in this discussion.

The Third Leader: Not too thin... [Independent]

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Thu, 21 Sep 2006 13:20:21 EDT Chris Mohney http://gawker.com/index.php?op=postcommentfeed&postId=202250&view=rss&microfeed=true
<![CDATA[ Kate Moss is African ]]> Here's the front of today's Independent (UK), guest-designed by Giorgio Armani. We've very little to add, save to say that putting Kate Moss in blackface makes it much easier to see the coke you're cutting on the cover.

The Independent

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Thu, 21 Sep 2006 09:30:38 EDT abalk2 http://gawker.com/index.php?op=postcommentfeed&postId=202188&view=rss&microfeed=true