<![CDATA[Gawker: gonzo]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: gonzo]]> http://gawker.com/tag/gonzo http://gawker.com/tag/gonzo <![CDATA[Finally Some Good News: Uma Thurman Joins Latest Muppets Movie]]> Despite how wicked and cynical and just plain fucked the world grows, people can still appreciate a good thing now and then. As evidence, Uma Thurman and Law & Order star Jesse L. Martin have both just signed on to appear in the upcoming Muppets Christmas special, "Letters to Santa: A Muppets Christmas."

In the special, which airs on NBC this December, Uma will play Santa Clause's flight attendant while Martin portrays a mailman who opens the show with a song-and-dance number. As is mandatory, Kermit, Fozzy, Gonzo, Miss Piggy, and the rest of the crew are determined to save Christmas for some tots whose letters to Santa were lost in the mail. "Thurman and Martin join previously cast Whoopi Goldberg, Tony Sirico and Steve Schirripa, Richard Griffiths and Madison Pettis, along with Kermit, Fozzie, Gonzo, Miss Piggy and the rest of the muppets gang. The special, from Muppets Prods., will feature songs by The Muppet Movie songwriter Paul Williams." [TheHollywoodReporter]

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<![CDATA[Dude]]> I went to see the new Hunter Thompson documentary Gonzo on Saturday. At 4:20. Heh.

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<![CDATA[David Carr On The New Hunter S. Thompson Documentary]]> New York Times media reporter David Carr—a former crack enthusiast—takes a look at Gonzo, the new documentary about legendary drugs-and-freedom-loving journalist Hunter S. Thompson. "Few writers have commodified narcissism so completely — his participatory style of journalism became its own genre and gives the film its title — but still we are invited to sit in the dark of the theater and have a flashback about his flashbacks. When the film opens on July 4, why will people, as Thompson would say, buy the ticket, take the ride?"

The documentary by Mr. Gibney, who also made “Enron: The Smartest Guys in the Room” and “Taxi to the Dark Side,” does not attempt to work around Thompson’s endless self-consciousness but uses it as leverage instead. Produced by Graydon Carter, the editor of Vanity Fair, and narrated by the actor Johnny Depp, “Gonzo” mirrors the subjectivity and immersion of the journalism Thompson and his trusty arsenal of psychoactive agents perpetrated in Rolling Stone and elsewhere. Mr. Gibney eschews narrative conventions and switches point of view on a dime, creating a prism of interviews and episodes that gradually assembles into a compelling portrait [...]

“I would argue that Hunter and Tom Wolfe are the two most original voices to come out of journalism in the last century, and it’s no coincidence that they both worked for Jann Wenner at Rolling Stone,” Mr. Carter said. “No one else was willing to push it that way, to take those risks.” Mr. Gibney’s documentary plays appropriate tribute by restricting its gaze to the nascent Thompson of the ’60s and early ’70s. By the time most of America knew who Thompson was, he was pretty much washed up, having gradually been overtaken by his own legend, with steady assists from the bottle, the drugs and his coven of enablers.

August men line up to pay their respects in the documentary — Patrick J. Buchanan, George McGovern, Jimmy Buffett, Gary Hart and Timothy Crouse, the author of the campaign memoir “The Boys on the Bus” — as do the women he loved. Both his first wife, Sandy, and second wife, Anita, testify to his courage and courtliness, in between pointing out that he could be mean as a snake and far less predictable. He broke through by covering a biker gang from the inside — he “rode with the Angels,” as Mr. Wolfe puts it in the film — and took a serious beat-down on the way out. Journalism, as practiced by Thompson, was not something for sissies. [NYT]
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<![CDATA[Graydon Carter: "I'm Such A Pussy."]]> The last time Vanity Fair editor Graydon Carter ever met with Gonzo god Hunter S. Thompson, the drug-vacuuming writer was sitting in a hotel one morning with "a tumbler of scotch, a bowl of cocaine, and some cereal." He asked Graydon what he would like. So did the patrician editor hoover up some massive lines or what? Well, he prefaces his answer by telling Charlie Rose, "I'm such a pussy." Sigh. Click to watch the tale of Gonzo vs. Non-Gonzo in action

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<![CDATA[Gonzo: The Life and Work of Dr. Hunter S. Thompson]]> "From Oscar-wining director Alex Gibney and producer Graydon Carter comes a probing look into the uncanny life of national treasure and gonzo journalism inventor Dr. Hunter S. Thompson. A fast moving, wildly entertaining documentary with an iconic soundtrack, the film addresses the major touchstones in Thompson's life-his intense and ill fated relationship with the Hell's Angels, his near-successful bid for the office of sheriff in Aspen in 1970, the notorious story behind the landmark Fear and Loathing in Las Vegas, his deep involvement in Senator George McGovern's 1972 presidential campaign, and much more. Narrated by Johnny Depp." Trailer after the jump.

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<![CDATA[One More Thing: Muppets!]]> Today was kinda grim, what with the crash and the cash-throwing and Back to the Future burning down. But there is nothing bad or mean or grubby about Muppets. So let's watch some friggin' Muppets already!

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<![CDATA[Please Keep Our Dead Heroes Out Of Your Freaking Ads]]> HST.jpegThere's nothing that will tear your heart out quicker than seeing one of your immortal heroes decide to sell out. Hearing the "conscious" rapper KRS-ONE declaring "The revolution is basketball" in a Nike ad back in the 90's was a particularly dark day for me. But at least living people havethe free will to decide to sell out. An even more despicable practice is waiting until an icon is dead, then pimping their image out to the highest bidder. Some responsibility falls on whoever licensed their image for commercial use. Some of it falls on us, the consumers, for making these campaigns financially worthwhile. But most of it falls on the damn ad people who co-opt someone's cool without their attendant philosophy. And now that Gonzo extraordinaire Hunter Thompson has popped up in a Converse ad, it's time for some serious boycott action. Some things just aren't right. Right?

Yea yea, it's all part of capitalism. Everything pure eventually gets taken over for monetary gain. We're all familiar with the thriving Che Guevara t-shirt industry. That doesn't make it any less objectionable. [Nike-owned] Converse's new campaign, "Connectivity," shows Dr. Gonzo side by side with a bunch of living and dead "icons," including the Sex Pistols' deceased frontman Sid Vicious, who would no doubt also be pleased to make a contribution to the sneaker industry. See, HT and Sid are "connecting" to basketball player Dwyane Wade and globo-hip-hop singer M.I.A, all for the love of the Converse brand!

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So what if Hunter Thompson wore Converse on his dirty feet when he was alive? "Weird heroes and mould-breaking champions exist as living proof to those who need it that the tyranny of 'the rat race' is not yet final," he wrote in 1979. Dude, Converse is so about that too! It kind of makes you want to puke. But mostly it makes you sad.

It's not an across-the-board condemnation. Some celebrities were shiny commercial vehicles during their lives, and keeping them at it after they pass away isn't really sullying anything. Fred Astaire and Lucille Ball have made ghostly ad appearances, but would they really be upset, judging by their level of celebrity while alive? Not quite as clear-cut as Sid Vicious, who, if he stood for anything besides drugs and self destruction, probably stood for "Fuck the system." Which, it turns out, is exactly the image people want in their cheap canvas shoes.

Consider Apple's "Think Different" campaign: Martin Luther King, Einstein, Gandhi. Being used, indirectly, to sell computers. On the scale of disgust, it would have to rank lower than Converse's crime, because at least the "Think Different" spots were promoting some faux-version of peace on earth and goodwill among men. Whereas if one were to emulate Hunter Thompson by, say, sniffing a ton of coke, dropping acid, and running up in the Converse corporate headquarters shooting a shotgun at the company logo, the company would probably lose its enthusiasm for the implications of their endorsements.

Whenever the dead stop messing around in the afterlife and come back to earth in zombie form, they won't be happy about this. Zombie Gonzo will be dining on the bursting brains of the young cool creative minds that dreamed up his ad appearances. And we should all want a bite.

This is exactly why I only wear Adidas.

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