T. Boone was only one of the funding sources. The other biggie was the owner of Perry Homes, a major builder in Texas. Perry also funded tort reform in Texas. Total slime.
To be fair, Matt Drudge has never turned down an attempt to run a ginormous picture of Nancy Pelosi. Never. It's his equivalent of HuffPo putting up a picture of Rush Limbaugh - it gets the core audience fuming with indignation before they can read a word.
I only have two questions left about the whole thing before I complete ignore any- and everything written about his death from here on out:
1) Seriously, what's happening to the Beatles catalog?
2) Why on Earth do people rush out and buy someone's music or books or whatever when they die? That stuff's not going anywhere. It's not like you must rush to get it because now that they're no longer living, the MP3s are gonna disappear. It's going to sound today exactly like it did 2 days ago, and if you didn't want it then, why do you want it now?
@DahlELama: I'd like to think that in at least some cases people who watch coverage of the person's death are reminded how much they liked them, or how they always meant to read that book/listen to that album and buy accordingly.
Well, for what it's worth, I'm a teenager and had never really listened to any of MJ's stuff. I mean, I heard Billie Jean on the radio and watched the Thriller video once after my mom talked about it, but I had no idea how great of a performer he was, or how prolific. After he died yesterday I went onto Youtube and watched some of his videos and realized some of his songs are really cool. So I went and downloaded them. I've been playing Dirty Diana basically nonstop since last night. I've also realized that my generation sucks in terms of music. Very sad.
@JeromeCabaret: That's the best explanation I've heard so far. Yes, your generation totally sucks in terms of music, but the beauty of really good music from the past is that it lasts for long enough to make up for Taylor Swift.
@DahlELama: Hey! My generation does not suck in terms of music! For every Taylor Swift, there is a Conor Oberst, Britt Daniel, Cut Off Your Hands, Cool Kids, and other such artists to counteract. This is the laziest criticism.
@Vivien Smith-Smythe-Smith: You just named four artists (and referred to many more) who get approximately no radio play. Yes, every generation has some great artists, thank God, but none of these people are "counteracting" Taylor Swift until my doctor's office replaces it's hourly blasting of "Romeo and Juliet" with one of their hits.
@DahlELama: Eek, just noticed this! Where I live, those artists plus a whole heap more local ones get plenty of radio play (in part due to a government-initiated pledge to play at least 30% homegrown artists). Yeah there's some rubbish around, sure, but no more than there was five, ten, twenty, or thirty years ago- I mean, I'm pretty sure that The Osmonds weren't considered the cream of the crop, and their career trajectory was pretty much over long before I was born! I think that my generation slash the one after mine is coming into this era where a lot more indie bands are emerging, where, due to the advent of the internet, bands can get coverage and radio play without necessarily having to be signed to a major record label first. Y'know?
If the internet kills off traditional journalism by destroying ad revenues and therefore the employers of traditional journalism, then what will the (unpaid) internet re-bloggers use for content?
I am now picturing the future of internet re-bloggers/news aggregators/gossip sites as a whole lot of puppies spinning around, chasing their own tails, briefly interrupted by the odd publicist wielding a rolled up media release to be used as copy by the dizzy puppies.
Let's be clear about HuffPo: they are right not to pay their bloggers. Why? The bloggers, collectively, bring no traffic to the site. Not surprising, considering they are not featured anywhere, certainly not on the home page and barely on the landing pages. Therefore, blogging for HuffPo is purely a vanity exercise, the thrill of seeing your words beneath their logo. Dumenco is right about the real business model of HuffPo, though I would be both more and less generous to them. More, because I don't think all their traffic comes from the exploitation stuff, Rihanna etc. (The fallacy is in thinking that because something is the "top post" it therefore accounts for a large share of the traffic. A post can be a "top post" and account for 2% of the traffic or under.) Their traffic seems to come from taking a story from the NYT or WaPo, giving it a catchier, liberal-friendly headline (here's where they're a liberal Drudge), linking to a 3-paragraph interstitial synopsis stolen from said news organization (here's where I'm less generous than Dumenco), and serving as a platform for comments -- their stories quickly accumulate hundreds. So it's a news aggregation and community play (which the commment-free Drudge would be smart to emulate). You can aptly fault her for stealing content from the Times, Post, etc., but she certainly shouldn't be paying her bloggers -- she's doing them a favor by making their content look like it has had some sort of editorial vetting and lending them her brand.
@Peter Feld: I'm not referring to the few celeb bloggers you do see on the HuffPo home page, but the vast bulk of earnest writers who have a perch there.
@Soup: For what it's worth, being an elder-greeter at Wal-Mart or a data entry slave are not particularly labor intensive either, but both of those jobs pay.
I think when we label writing and journalism (even sad 'party journalism') as useless and not labor intensive, well, that's exactly the kind of product we are eventually going to get.
You always need to pay for quality work. I don't go to a doctor who does it just for the "exposure" or the "experience" of being a physician, and I don't want to read publications staffed by people there for the free food or the guest list.
I agree completely, I think honest work deserves honest pay. My point is about accuracy. Gawker doesn't pay their video interns and they're explicated told not to have editorial aspirations. So Gawker, like GofaG has a staff that is "largely unpaid." as well. Are they both running businesses based upon slave labor? It would be difficult for Gawker to exist without the help of unpaid or underpaid workers.
Gawker pays their writers, but how much, and is it enough to not be considered slave labor?
The devil is all in the details. The details, which when left out can allow you to spin a story in any direction you wish.
My original post in this thread was meant to be sarcastic. I actually think the video interns do important and difficult work. Having to sort through tons of video to find things worth posting is as valuable as actually curating posts for Gawker, in fact it is almost the same thing. Granted you don't need to have the writing skills to write a narrative around it but it is still valuable work that is, as I understand it, unpaid.
07/10/09
07/10/09
07/10/09
07/10/09
/this is a lie.
07/10/09
07/10/09
07/10/09
On first sight, that Rebecca Dana headcut looked like a still from Norwegian supergroup A-Ha's "Take On Me" video.
06/26/09
06/26/09
1) Seriously, what's happening to the Beatles catalog?
2) Why on Earth do people rush out and buy someone's music or books or whatever when they die? That stuff's not going anywhere. It's not like you must rush to get it because now that they're no longer living, the MP3s are gonna disappear. It's going to sound today exactly like it did 2 days ago, and if you didn't want it then, why do you want it now?
06/26/09
06/26/09
06/26/09
06/27/09
06/28/09
06/28/09
07/02/09
06/26/09
06/26/09
06/26/09
06/26/09
It goes with their MO of reporting yesterday's news today, rather than today's news today.
06/22/09
I am now picturing the future of internet re-bloggers/news aggregators/gossip sites as a whole lot of puppies spinning around, chasing their own tails, briefly interrupted by the odd publicist wielding a rolled up media release to be used as copy by the dizzy puppies.
06/22/09
06/22/09
06/22/09
06/22/09
06/22/09
06/22/09
06/21/09
06/22/09
I think when we label writing and journalism (even sad 'party journalism') as useless and not labor intensive, well, that's exactly the kind of product we are eventually going to get.
You always need to pay for quality work. I don't go to a doctor who does it just for the "exposure" or the "experience" of being a physician, and I don't want to read publications staffed by people there for the free food or the guest list.
06/22/09
Dave,
I agree completely, I think honest work deserves honest pay. My point is about accuracy. Gawker doesn't pay their video interns and they're explicated told not to have editorial aspirations. So Gawker, like GofaG has a staff that is "largely unpaid." as well. Are they both running businesses based upon slave labor? It would be difficult for Gawker to exist without the help of unpaid or underpaid workers.
Gawker pays their writers, but how much, and is it enough to not be considered slave labor?
The devil is all in the details. The details, which when left out can allow you to spin a story in any direction you wish.
06/22/09
06/22/09
My original post in this thread was meant to be sarcastic. I actually think the video interns do important and difficult work. Having to sort through tons of video to find things worth posting is as valuable as actually curating posts for Gawker, in fact it is almost the same thing. Granted you don't need to have the writing skills to write a narrative around it but it is still valuable work that is, as I understand it, unpaid.
06/22/09