@belltolls: For π, I assume? Since Requiem for a Dream, The Fountain and The Wrestler were all crimes in the first degree against cinema. But π.. yes. Very interesting indie.
@snugbug: Pi and Requiem (and I actually liked the Fountain but I understand it sucks) but if Aronofsky has crimes what in Holy Hell is it that M Night does?
@belltolls: I can't really muster much hate against M. Night Shama-Lama-Ding-Dong because he excreted two thriller classics, The Sixth Sense and Unbreakable. He's been coasting along and flogging his one-trick pony narrative device to death since, but I still think he's got something ELSE to say.
On "The Grosses Speak Law," doesn't this have its tentacles in "The Big Cool Friend Exemption?" Not in terms so much of getting household names committed to your next project, but having industry names follow through on the marketing of your film that can make or break gross receipts? There are numerous examples of good films not getting the studio backing they needed to launch and can only aspire to be a Donnie Darko-esque film instead.
Thought this was about writer/Tarantino collaborator Avary, Tweeting from jail.
For DUI manslaughter. It's actually pretty compelling reading. Sheets that although laundered, have "the ball-sweat of a thousand men" on them. Uh, vivid! Also, all inmates forced to watch Fox.
(How he Tweets: Avary uses his phone time each day to speak to a service that does the Tweets for him. Capitalism is amazing.)
The Smith story is amusing, but it's nothing new. Harvey confused Joey Lauren Adams with Renee Zellweger at the Golden Globes the year Joey was nominated for "Chasing Amy".
One of my first disaster experiences with the Weinsteins was Dimenson's release of Pulse, a remake of the strangely thoughtful and detached Kiyoshi Kurosawa ghost film Kairo. The orginal film, while not a blockbuster by any means while in release in Japan, was known as something critically-revered and highly respected by aficionados of the genre, and after a first screening where the film was panned by teenage boys who misunderstood the film's quiet concept, it was retooled as a CGI-laden action-survival film so that it could make a lot of money, totally eschewing the reasons for having purchased the movie from the Japanese in the first place. It was a flop of unexpected proportions, pushed back three times from the late winter (when such a "cold" film had a chance) to late summer, and was a horrifying example of the American dream corrupting the intellectual vision of the way actual cinematic visionaries are cultivated in foreign countries.
That last anecdote by Kevin Smith I loved so much I reread it maybe ten times while trying to put it into the context of so many of their business mistakes, that Harvey especially is so unfocused he doesn't even know who's working for him, only what he's working towards in the hypothetical. He's grasping at straws, trying simultaneously to make certain films that are merely cash cows while making others to gain credible critical adulation, two things which only go hand in hand by accident, not by design. I have a terrible feeling about their next few years, but quality control is obviously not their strong suit. I'm glad they got their Oscar win for The Reader, and are using that critical success to... restart the Scream franchise from the 1990's. Bizarre.
@ampersandparade: As I read the article this morning, I found the Weinsteins to seem more and more irrelevant until I had to question why I was even reading it. Your last sentence summarizes the whole sorry situation quite nicely.
@BxgrlJeri: If you're referring solely to Harry Potter, then no--I wouldn't touch this stuff with a ten-foot wizard's staff. If you're referring to the other stuff mentioned above, though, then maybe--I've read Bad Girls and seen Clerks and Chasing Amy. I could listen to Joey Lauren Adams talk forever...or at least for ten minutes, which is longer than most people.
11/24/09
11/24/09
11/24/09
11/24/09
11/24/09
11/24/09
I should add, not directing The Alamo is quite possibly the smartest thing Ron Howard ever did.
11/24/09
11/24/09
Thought this was about writer/Tarantino collaborator Avary, Tweeting from jail.
For DUI manslaughter. It's actually pretty compelling reading. Sheets that although laundered, have "the ball-sweat of a thousand men" on them. Uh, vivid! Also, all inmates forced to watch Fox.
(How he Tweets: Avary uses his phone time each day to speak to a service that does the Tweets for him. Capitalism is amazing.)
11/24/09
I'll be right back. I'm going to go dunk my head in the kitchen sink for a few minutes.
11/11/09
10/01/09
10/02/09
08/17/09
08/16/09
08/16/09
08/16/09
That last anecdote by Kevin Smith I loved so much I reread it maybe ten times while trying to put it into the context of so many of their business mistakes, that Harvey especially is so unfocused he doesn't even know who's working for him, only what he's working towards in the hypothetical. He's grasping at straws, trying simultaneously to make certain films that are merely cash cows while making others to gain credible critical adulation, two things which only go hand in hand by accident, not by design. I have a terrible feeling about their next few years, but quality control is obviously not their strong suit. I'm glad they got their Oscar win for The Reader, and are using that critical success to... restart the Scream franchise from the 1990's. Bizarre.
08/16/09
07/17/09
07/17/09
07/17/09
07/17/09
07/17/09