I have a question for everyone and my apologies in advance if this has already been discussed at some other time.
Are there people out there who think, like me, that Vincent Kartheiser, who plays Pete Campbell, is a terrible actor? He just makes me cringe - and not in the right way. I'm not thinking I can't stand Pete Campbell, I'm thinking I can't stand Vincent Kartheiser's portrayal of Pete Campbell. He just doesn't seem in the same league as the other actors in the series. I feel like I'm watching the performance of a lousy high school actor.
@intime: Funny, I've always admired Vincent Kartheiser precisely for his creepy portrayal of Pete Campbell -- I've always felt his cringe-worthy scenes are his interpretation of Pete as a person who is so self-conscious, and so alienated from others by his ambition and his aggrieved sense of himself as a person whose brilliance is unjustly unrecognized, that he can't ever just "be himself." In other words, I see it as Vincent playing Pete as someone who is himself always playing the part of Pete. But that's just my opinion.
@intime: It's not so much that I find him to be a bad actor as that I find him to be a stage actor on a TV show, which I just think is a bad combination. I think he'd be fantastic for Broadway Presents: Mad Men, but right now, I just find him kind of hard to watch, though he sure plays an asshole well.
@robotwaste: I thought we learned that Don was a "whoreson" in season 1... whatever episode where the drifter, uh... drifts through in his flashbacks? I like the fact that not only does Don Draper not have "people" because he's living a dead man's life, he wouldn't really have had "people" even if he'd stayed Dick Whitman.
Time to place Mad Men next to cigars, Cake and Star Trek on the shelf for things that I like that are very nearly ruined for me by the other people who like them.
To me, one of the most interesting lines of the episode was the scene where Betty remarks to Don that their daughter has been playing with his tools "like a little lesbian." I was like, way to enforce dominant heteronormative attitudes on your child!
Which in turn got me thinking that maybe the rigid enforcement of male and female stereotypes that are considered such a huge part of '50s morality came about in reaction to the growing awareness of the existence of heterosexuality and other "deviant" behaviors. Don & Betty's grandparents probably wouldn't have worried if their daughter was a "lesbian" because it's likely they would not have known such a thing existed, or could possibly exist. But thanks to psychoanalysis and other cultural trends beginning around the turn of the century, by the 50s such "deviant" behavior had become familiar, if not yet accepted ... In other words, maybe the reactionary repression of the '50s was a kind of preemptive strike against the countercultural storm that was brewing and would hit a decade later ... I dunno, just the first thing that came to mind.
I'm sorry that some fans didn't get anything out of this episode. We, on the other hand, were falling out of our chairs. Tentacle porn? Turquoise cushions on a mustard-yellow couch? Trampy stewardess naked in her London Fog as inspiration for Don's ad, to save Sal's face (or put him in danger)? Joan in houndstooth putting smarmy John in the doghouse? Pete whining like a bitch? Looked, sounded and felt like excellence to me.
@Occula: The best/scariest thing about that scene was Pryce practically licking his lips while taking in the tentacle-porn print, his eyes opening to whole new levels of misogyny that he couldn't have conceived of before. I think Jared Harris has the potential to turn Pryce into one of the better evil characters on the show.
@antisocialite: I have a soft spot for Jared Harris, maybe coz he always looks the same age...which is weirdly ageless, like his dad but with eternally red hair.
It was a show about nothing. Is anyone else worried that the Don Draper opening foot shot suggests that Matt Weiner is going down a dark, Tarantino-ish path?
Don might get his comeuppance, or the writers might acknowledge what Neil LaBute did in "In the Company of Men": many real-life Aaron Eckharts and Jon Hamms get away with it all, because they're beautiful and compelling. His reply to the stoner warning him about cops in season 2 was pitch-perfect: "No, *you* can't leave this apartment." And out he strides, nod to the cops, free to do as he fucking pleases. Part of us wants him to get away with it. He's like a prize racehorse being put out to stud, and your petty strictures about honesty and morals are quite beside the point.
Will people leave Entourage alone already? Forcing a comparison between it and Mad Men is ludicrous. It never claimed to be anything more than it is, and its popularity isn't a crime. If Max Valliquette has a problem with the fact that he can't miss an episode, that's his problem. Pick up a patch at Duane Reade if it's such a monkey on your back.
@unclevanya: It's okay to enjoy both. That's what I tell myself so I can sleep better. It's fair to say that after 5 minutes of listening to Ari babble, Don Draper would glide across the room and break his nose. Then he and Vinny would go pick up 4 stewardesses and have a sexy party.
Whereas for me, working at an agency, this whole London-Fog-brand-as-metaphor makes me want to put the shotgun back in my mouth so I can skip tomorrow morning's brainstorm.
The scenes where virtually nothing seemed to be happening were the best of all.
So we found out where Don's original name, Dick, came from. And saw him use a third fake name with the stewardess, which is why he couldn't show her his driver's license. None of which would make any sense if you haven't been watching the show all along.
@JordanGold: When you get a few years older, urinating might become an adventure. Remember, regular prostate checkups for all of you guys are a good thing.
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Are there people out there who think, like me, that Vincent Kartheiser, who plays Pete Campbell, is a terrible actor? He just makes me cringe - and not in the right way. I'm not thinking I can't stand Pete Campbell, I'm thinking I can't stand Vincent Kartheiser's portrayal of Pete Campbell. He just doesn't seem in the same league as the other actors in the series. I feel like I'm watching the performance of a lousy high school actor.
Does anyone else feel that way?
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Which in turn got me thinking that maybe the rigid enforcement of male and female stereotypes that are considered such a huge part of '50s morality came about in reaction to the growing awareness of the existence of heterosexuality and other "deviant" behaviors. Don & Betty's grandparents probably wouldn't have worried if their daughter was a "lesbian" because it's likely they would not have known such a thing existed, or could possibly exist. But thanks to psychoanalysis and other cultural trends beginning around the turn of the century, by the 50s such "deviant" behavior had become familiar, if not yet accepted ... In other words, maybe the reactionary repression of the '50s was a kind of preemptive strike against the countercultural storm that was brewing and would hit a decade later ... I dunno, just the first thing that came to mind.
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[www.youtube.com]
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So we found out where Don's original name, Dick, came from. And saw him use a third fake name with the stewardess, which is why he couldn't show her his driver's license. None of which would make any sense if you haven't been watching the show all along.
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Now Damages on the other hand is one helluva show.
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