<![CDATA[Gawker: lonelygirl15]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: lonelygirl15]]> http://gawker.com/tag/lonelygirl15 http://gawker.com/tag/lonelygirl15 <![CDATA[LonelyGirl15, Her Advertisers, And Investors Form 'The Resistance']]> Remember LonelyGirl15, that fake-ass scripted YouTube series that got really popular for a minute when everybody thought it was real and turned into a media phenomenon? Well it's coming back in a major way! Which means its rabid fans are still lurking out there, and have been doing who knows what for the last several weeks waiting for this. "LG15: The Resistance" (*chuckle*) will debut 12 new weekly episodes next month, produced by a CBS-funded firm and "integrated" with advertisements. Resist, yes. The show's promo—a total ripoff of those 'Anonymous' anti-scientology vids—after the jump.

[via Agency Spy]

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<![CDATA[Marissa Mayer a Lonelygirl15 fan]]> Buried in Kara Swisher's piece about EQAL, the new "social entertainment company" from Lonelygirl15 creators Miles Beckett and Greg Goodfried, is the dilly that one of the previously unnamed investors providing $5 million in funding is none other than Google's cupcake princess, Marissa Mayer. What's the next project from the YouTubepreneurs made good? Well, it's going to be kind of like lonelygirl15, except with a shot of social-network frosting. [BoomTown]

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<![CDATA[Why does Madison Avenue have to beg its way into Web videos?]]> Hulu, the Web-video venture of NBC Universal and News Corp., reached nearly 900,000 visitors last month, according to Compete. Too bad that its 15-second ads and spots spliced into the middle of videos aren't where ad agencies want to spend their clients' money. They want to spend it the way LonelyGirl15's backers do — on product placements. "Just placing ads like prerolls are not a big interest to us, frankly," Digitas EVP Carl Fremont told Silicon Alley Insider. "That's just taking the old TV model and adapting it to a new screen. We would rather work with a producer and develop custom content." Which, of course, is the even older TV model — the one that led Procter & Gamble to invent the soap opera.

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<![CDATA[Ron Conway and Marc Andreessen love Lonelygirl15]]> LG15VC.jpgEQAL, the L.A. Web-video studio which first brought you Lonelygirl15's bedroom antics, today announced it's raised $5 million in funding. The moneymen backing Bree's braintrust include angel investor Ron Conway, Netscape cofounder Marc Andreessen, reality-TV producer Conrag Riggs, former Google exec Georges Harik, and Spark Capital. Bree, who made the cover of Wired is gone from Lonelygirl15, having been killed off, but the series continues, as does EQAL's KateModern, which now runs on Bebo. EQAL CEO Miles Beckett and president Greg Goodfried told the Wall Street Journal the company is already profitable, having earned money with product placements woven into plotlines. Sounds more plausible than selling online ads.

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<![CDATA[LonelyGirl15 is back in the bedroom]]> JessicaRose.jpgJessica Rose, the actress who played LonelyGirl15 in a series of Web videos, is back on YouTube. The new show is called Blood Cell and judging by the trailer below, it has all the elements your looking for: shaky handheld camera work, a bedroom set, and Bree Rose in a tank top and boxer shorts. No P. Monkey, though.

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<![CDATA[Company That Was Totally Taking Over New Media Now For Sale At $300k]]>
The company that was supposed to replace YouTube is now for sale for $300-500k and the assumption of $1 million in debt. Revver promised big bucks to video creators who used the video sharing service. That money was supposed to come from lucrative video ads; that money apparently never came. The story of Revver's mindblowing incompetence (with exclusive cocaine anecdote) follows.

The reasons Revver failed are obvious. Its one advantage was that YouTube didn't pay creators. Then, well, YouTube started paying creators and sucked up all the low-level talent, and meanwhile sites like Superdeluxe topped Revver's "we'll pay you eventually" model with a "we'll actually give you a budget" model, luring away the pros.

But the reason Revver failed so spectacularly was that it tried so hard to go Hollywood. The LA-based, venture-capital-funded company acted fancy, unlike the lovably dorky people running competing sites like Blip.tv. They chased talent like Lonelygirl15, who later returned to YouTube. They offered vlogger Ze Frank cocaine at his first meeting (Ze doesn't do coke, he just looks like he does). It's like the whole company was imitating something they saw on TV.

And now they're worthless. Well, now they admit they're worthless. Which could seem bad for independent artists, except that Revver never came through anyway (they couldn't even tell Ze what they owed him), and YouTube really isn't that bad, and now there's one less awful company souring people to the idea of new media.

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<![CDATA[God is on side of Web's "fastest-growing site"]]>
Are even the mildly lewd antics of Lonelygirl15 too risqué for your tastes? Then GodTube is your answer. GodTube may not be as sexy or well-edited as say, a rap dedicated to Harry Potter, but it's still reported to be the fastest growing site on the Internet. It goes to show that pandering to righteousness could be as promising as exploiting bile. I'll have to take this idea up with the boss.

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<![CDATA[Revver shares a million in revenue with video producers]]> Revver revenueOnline video platform Revver announced it has paid out $1 million dollars to video producers from its ad revenue sharing program, just in time for its one year anniversary. That puts Revver's total revenue at around $2-$2.5 million, since it splits fees 50/50 after paying 20% to a distributor. Sounds great. But it doesn't prove that Revver has a sustainable, profitable model—not after the year it's had, losing key staff, being banned from MySpace, losing LonelyGirl15 and several other notable video producers like Ze Frank and Ask A Ninja, and a rumored buyout. Why?

Repeat after me: REVENUE IS NOT PROFIT. And Revver is competing in a sea of also-rans. VuMe and Metacafe also have producer reward programs, and DailyMotion and YouTube are about to launch their own programs. Lots of sites are about to start competing for the few uploads that will have money-making potential.

And it turns out that $1 million, impressive as it sounds, is not so great if you're a video producer, either. Since 25,000 producers have received some form of payout — making the average payout $40 total, as onlinevideoinsider points out in the comments — you are not talking about a living wage... more like a thank you for the traffic. Thousands more have not qualified for the minimum $20 payout yet. Success stories like Eepybird, the wacky "scientists" behind the Diet-Pepsi/Mentos videos, and Tim Street, producer of the salacious French maid TV, who are making a living wage from revenue-sharing are few and far between.

Until more producers can make more money from residuals, ad revenue sharing is just a gimmick. And until YouTube enters the game, Revver is just an experiment trying to reverse a year of bad news with a seemingly positive press release.

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<![CDATA[LonelyGirl15, the runaway YouTubes hit that...]]> lonelygirl15.jpgLonelyGirl15, the runaway YouTubes hit that we once watched for 15 seconds and never returned to after deciding we didn't care if Bree is a real person or not, has just wrapped its first season. Yay? [CNN.com]

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<![CDATA[Lonelygirl15 Co-opted for Charity]]>
The Wall Street Journal reports that the United Nations' antipoverty Millenium Project has enlisted the team behind the Lonelygirl15 YouTube saga to record a PSA for the antipoverty campaign. Which is all fine and good, worthy cause, et cetera — but does an internet celebrity carry any weight when said celebrity is more or less nonexistent?

Also, somewhat unrelated: if the Lonelygirl15 videos are going to continue, can she please stop overplucking the middle of her eyebrows? So much room for improvement there.

U.N. Enlists Internet Star for Anti-Poverty Pitch [WSJ]

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<![CDATA[Wait, Foremski found her?]]> The Times credits the local tech columnist who (as we said) first identified YouTube star LonelyGirl15:

Matt Foremski, the 18-year-old son of Tom Foremski, a reporter for the blog Silicon Valley Watcher, was the first to disinter a trove of photographs of the familiar-looking actress, who portrayed the character named Bree in the videos.

Way to go, Foremski boys! We knew Tom (a well-known Valley dude and a former Financial Times reporter) was due for a scoop, but this was a shocker. (And since we assume the discovery involved poring over photos of cute teenage actresses, we're relieved Tom's 18-year-old-son did the legwork.)

Well, It Turns Out That Lonelygirl Really Wasn't [NY Times]
SVW Exclusive: The identity of LonelyGirl15 [Silicon Valley Watcher]

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<![CDATA[Oh so Hollywood]]> Ah, New Media never felt more like Old Media. Here's Jessica Rose, aka YouTube videoblogger LonelyGirl15. She's not a geek like her character. She lives in Hollywood, and she wants to be in movies. (Granted, she also did this project for very little money.) After a professional acting education, Rose earned her fame with a vlog that kept thousands guessing whether she was real. Which is kind of New Media, but kind of Blair Witch redux.

Well, It Turns Out That Lonelygirl Really Wasn't [NY Times]

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<![CDATA['Times' Blog Story Becomes Actual 'Times' Story]]>
Times couch potato Virginia Heffernan can finally sleep at night: Lonelygirl15 — AKA Bree, a YouTube user whose video diaries of her life as an beautiful, home-schooled nerd captured the hearts of chronic masturbators near and far — has been definitively exposed as a fake, a calculated effort to create an online drama in hopes of developing a movie from the resulting buzz. You care, right? Maybe someone in marketing should, because at one point, over 700,000 YouTube views were devoted to this girl. On her corporate blog Screens, Heffernan has made Lonelygirl15 into her great white whale, first proclaiming the girl deserving of her own television show (July 28); since then, Heff's devoted 15 posts to the cult of Bree. And today, finally, Lonelygirl15 earns her place in the "real news" pantheon with Heffernan's story published on actual newsprint.

Congrats, Heff — you did it! You blogged your way into a bona fide Times story! Live the dream, lady!

Well, It Turns Out That Lonelygirl Really Wasn't [NYT]
Lonelygirl15 [Screens]

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<![CDATA[Bloggers ID famous fake YouTuber: LonelyGirl15 is actress Jessica Rose]]> LonelyGirl15 has a name. The YouTube video blogger who acted in a fictional show about a homeschooled religious girl, her daily life, and her boy friend (and got on CNN in the process) was outed as a fake last week when bloggers traced messages and video blog posts back to a Beverly Hills talent agency. This weekend, the still-unnamed creators of the vlog saga posted a forum message admitting that the show was scripted.

Today, three sources turned up info about LonelyGirl15 — now known as 19-year-old L.A. actress Jessica Rose. First, YouTube user mgpapas posted the following photo montage of Rose as herself and as LG15. (Mute it; the soundtrack is "You Are So Beautiful to Me.")

A blog called "Top of the Tube" spread the video and added Rose's resume. Meanwhile, tech blogger Tom Foremski wrote that he found Rose too.

lonelygirl15 revealed : jessica rose aspiring actress [Top of the Tube]

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<![CDATA[People abusing the Internet: HP, Jason Fortuny, and lonelygirl15]]> dramatica.jpg
  • An unscrupulous LiveJournaler posted a fake Craigslist sex ad and published nearly 200 responses, including that of Microsoft employee Jerry Cummings (Warning: Dongs), pictured here. While this was a real asshat stunt to pull, that won't stop us from tittering at Jerry for sending dick pics using his work address. [Waxy.org]
  • The LA Times can't figure out who's behind the amateur-but-not-amateur videos by YouTube star lonelygirl15, and they're too pussy to admit that all the evidence points to a progressive media company represented by the Creative Artists Agency. It's obviously not a real teen running a one-woman show; the cuts are too crisp, the monologues too scripted, the source too untrackable. [L.A. Times and apophenia]
  • Hewlett-Packard didn't just spy on its board members. The company sniffed out the personal phone records of journalists including writers at CNET and the Wall Street Journal, and New York Times writer John Markoff. The firm that did this told HP its investigation was legal. How scary is it if they're right? [NY Times]

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