I loved "I'm Not There" but didn't get it until I watched the supplementary discs that explained it all (so what if that's anti-intellectual! It really helped!). I recommend watching the extra material if you came out not liking the movie. Also, Lost in Translation I found to be dullsville and overrated. I can't get into Sophia Coppola's stuff at all.
The Virgin Suicides. Seriously. I think that film just annoyed me, more than anything else, so I didn't want to spend time 'figuring it all out'. 'Twas a pretty film though, I will concede.
@Vivien Smith-Smythe-Smith: It was much better as a book. Most of the time I think that a great book faithfully adapted for the screen should suck...mostly because I want different things from books than I want from film. I did enjoy the film version of The Namesake ...precisely because it was so different from the book (which was still better).
@kjack: I've heard that the book is good, but the film really, really put me off wanting to read it. Which is unusual, given that I'll read anything if it's in front of me and I'm desperate.
I liked Synecdoche, and I don't think a whole lot of head scratching is in order. For me, it's just about the visual textures, the character relationships, and a whole lot of loneliness. The abstract musings about life do indeed get annoying and repetitive, but I don't think they diminish the project much -- by way of comparison, the really annoying psychological "explanation" at the end of Psycho doesn't wipe out that film's greatness.
OK, but what which ones ARE like Richard's saying? Obviously Crash. I'm Not There (a stupid, stupid film! -- which I had such high hopes for), the first third of Fire Walk With Me, all the Bertolucci I've seen, most of Brian De Palma. Sideways. Cache. Match Point. Adaptation.
That's just off the top of my head. I know I'm missing some big ones.
I'm surprised no one has brought up David Lynch yet. I love him, really and truly, but my god, Inland Empire? I desperately want that two hours of my life back. Or was it longer? It felt longer. Ugh.
I loved "There Will Be Blood." Didn't care that it was weird, didn't care that it broke every structural rule in the book, didn't care that Daniel Plainview seems like a horrible person.
@franklinshepard: I felt like the first act went on for days and days and the conflict was pretty clear from the very beginning, rather than being something that Daniel runs up against exactly 15 minutes into the movie.
I saw it. It was clever, insightful and memorable enough that I went to see it again but I would hardly think of it as the Greatest Film Ever Made or any shit like that. If Adaptation's navel-gazing didn't put you off then you'll probably like it. From the reviews (and discussions like this one) I was expecting something tedious that I had to "work" to follow. Instead I found it enthralling from beginning to end. You can't get bogged down in all the metaphors. Really, its just a story.
@Astroblack: That's how I felt about it, I never spend very much time "working through" a fiction film's "message". I tend to respond impressionistically, either "wow" or "ugh" and that's what stays with me.
Only with documentaries do I worry a film's theme to death.
I just saw "The Fall" last night and was totally enamored with it from the get-go. However this morning I've been telling everybody about it with the tempering of, "but you may hate it..." But I GOT IT, man...
@divinationjones: I just saw that too! I couldn't figure out why I liked it so much, because I didn't understand it at all and it was ridiculously, crushingly sad.
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Now if this turns out to be the equivalent of Andrew Sarris's championing of Lola Montes as ...
(sullenly gets up to consult DVD cover)
..."The greatest film of all time," (?!!!?) she'll have to live with that silly judgment.
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OK, but what which ones ARE like Richard's saying? Obviously Crash. I'm Not There (a stupid, stupid film! -- which I had such high hopes for), the first third of Fire Walk With Me, all the Bertolucci I've seen, most of Brian De Palma. Sideways. Cache. Match Point. Adaptation.
That's just off the top of my head. I know I'm missing some big ones.
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Love.
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Only with documentaries do I worry a film's theme to death.
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I shouldn't have long to wait, if past experience is any indication.
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(Does that count as yelling?)
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But I GOT IT, man...
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