The Definitive Pop Music Mashup of 2013 is Here

Moving right along from the definitive movie mashup of the year to the definitive pop music mashup of the year.

Moving right along from the definitive movie mashup of the year to the definitive pop music mashup of the year.

The year isn't over yet, but it might as well end with today's release of The Sleepy Skunk's annual Movie Trailer Mashup.
It's not entirely clear why it took this long for someone to put together a two-minute compilation of goats whose bleats sound like screaming humans, but let's all just be glad someone finally did.
DJ Earworm's United State of Pop 2012 video isn't due out for another few days, but the track itself debuted over the weekend on Toronto's Virgin Radio 999, and was subsequently uploaded online by a kind Canadian soul who believes Christmas is about unwrapping your gifts early.
Some of the most exceptional contributions to modern culture were admittedly produced while on too little sleep and too much Internet, and this simple-yet-stellar mashup/sync-up of LCD Soundsystem's "New York, I Love You but You're Bringing Me Down" and Miles Davis' Elevator to the Gallows score is no exception.
As anyone who has been around these nets for long knows, invoking Hitler in reference to absolutely anything is inevitable.
Mix master Hugh Atkin of "Will the Real Mitt Romney Please Stand Up" fame has pieced together yet another masterful mash-up, this time featuring President "MC 'Bama" rapping "U Didn't Build That" to the tune of MC Hammer's "U Can't Touch This."
After the Internet came across an anti-masturbation video produced by Jehovah's Witnesses specifically for the hard of hearing, it was only a matter of time until someone mashed it up with R. Kelly's "Ignition (Remix)."
Rick Astley's "Never Gonna Give You Up" is a timeless classic, no doubt about that. But the song's music video is a bit, shall we say, overexposed.
What do you get when you mix up dirty gangstress Khia's infamously foul-mouthed ode to oral reciprocation "My Neck, My Back" with Carly Rae Jepsen's cloyingly infectious coquetry anthem "Call Me Maybe"? W.R.7's "All You Ladies Call Me Maybe Like This" — and a very weird boner.
Movie clip compiler James Chapman of Movie Tiles in Movies fame put together a supercut feting 100 of cinema's most memorable maniacal laughs.
Inspired by Kutiman's innovative YouTube video remix project "ThruYou," Wally De Backer — better known to music listeners as Gotye — decided to submit his own contribution to the "mountain of interpretations of" his phenomenally successful hit single "Somebody That I Used to Know" by taking advantage of "the massive…
Musical video collective cdza return to take you on an insightful audio-visual journey through the history of wooing women in music.
Twee indie duo Jack Conte and Nataly Dawn — AKA Pomplamoose — have apparently resolved to lay waste to the World Wide Web and bring an end to civilization as we know it.
A rather incredible sync of former president Bill Clinton's iconic sax performance on the Arsenio Hall Show and French electro-shoegazers M83's "Midnight City" off Hurry Up, We're Dreaming languished in obscurity for an entire month despite being, as one correct individual put it, "the best video on youtube, hands…
Bay Area "film recycler" Bryan Boyce unleashes upon an invariably unprepared world his "re-imagineering" of Martin Scorsese's Taxi Driver that tracks a "Mickey Mouse-obsessed Travis Bickle as he looks for love in a rapidly transforming New York City."
You've probably never lost any sleep wondering what would happen if someone created a title sequence for The Office in the same style as the opening credits of '80s mainstay Dallas. But someone did it, anyway, and it's pretty awesome. [via NYM]