There's backlash of course. This week programs across the network are creating stories that deal with environmental issues. Sure, the show complied (unplug your chargers and change your lightbulbs—servicey!), but not without biting the hand that feeds it.

First, Jack and Kenneth make fun of this silly little program. Sure, it reads as making fun of people who don't believe in global warming, but the show could have just made the directive to cut carbon emissions from GE headquarters instead of going the meta route and having a show about how NBC is making shows talk about environmental stuff.

When Kenneth goes into Jenna's dressing room to make her unplug her chargers, he comes armed with a silly pamphlet the network has put out. It features a quote from an actress who is barely known from a show that is barely on the air and with a bun that barely makes any sense. What a way to make fun of corporate propaganda.

Aside from Friday Night Lights we saw lots of making fun of other NBC shows last night, also getting hit were Heroes and The Cosby Show. At least the network is a good enough sport to give them clearance to dog on their shows.

And while we're at it, another observation: When did 30 Rock get so gay? Between Jenna's gaggle of gays, the funny gays in line at the Hugh Jackman event, and Liz's gay cop roommate this season has been mighty queer. It's like Cheyenne Jackson demanded the up they gay quotient by 15% before he would sign his contract.

Ok, now on to the final burn.

After new castmember Jack Danny (hello, Cheyenne Jackson!) tells Tracy and Jenna that they should be nice to Kenneth because he could be their boss some day, it throws their whole world order out of whack. Tracy decides to get to know Kenneth's future plans to see if he should worry about the way he's treated him. Of course, Kenneth says, in ten years, he hopes to be running the network, except there won't be a network. Burn, NBC! Looks like that Leno experiment will be the death of you.

There was also another great moment with Padma Lakshmi, though it must be unpacked (like a bag lunch) to get to all the layers of diss that it contains (the clip is below). Lakshmi hosts Top Chef on Bravo, which is owned by NBC. Top Chef's biggest sponsor is the "Glad family of products," a phrase that Lady P must know inside and out. To cast her as an egomaniacal version of herself who thinks she invented the sandwich bag (read Glad bag) but doesn't know the name of it will be a real kick in the shins to the people who write the checks for her show. Also, funny. No wonder there won't be a network in 10 years. 30 Rock is trying to put them out of business themselves!

With Jay as his lead-in, Conan has been struggling badly against Letterman, and now for the first time, the the Jimmy Fallon show has fallen behind longtime also-ran CBS's Craig Ferguson. For the first time since it premiered in 2005, the Late Late Show came in first place last week with an average 1.4 rating and 1.86 million viewers compared to Fallon's 1.0 rating and 1.26 million viewers

Meanwhile, Comcast has signaled that Jeff Zucker's inspired leadership of NBC/Universal will remain in place after they buy the division.

This Monday's show averaged a 3 rating and a 1.15 in the critical 18- 49 demographic group, which determines the show's desirability to advertisers. The 1.15 number was against powerhouse Monday Night Football, but for the first time it sent Leno below the 1.5 mark that NBC had said, pre-launch, would define success.

The free-falling ratings have also dragged down the rest of the network's after hours line-up. The NY Times reports:

Conan O'Brien on the Tonight Show fell to just a 1.8 rating in the overnight household ratings and the preliminary 18-49 ratings put him well below his main competitor, David Letterman on CBS. (Mr. Letterman's household ratings at 11:35 p.m. even beat Mr. Leno's at 10 p.m. a 3.3 to a 3.0.) ABC's late-night entry Jimmy Kimmel scored a 1.5, putting him closer to Mr. O'Brien — who starts a half-hour earlier than Mr. Kimmel - than Mr. O'Brien is to Mr. Letterman.

Across America, NBC's affiliate stations are sounding increasingly ready for war in the face of sinking viewership for their evening news show, pulled down by Leno's flailing lead-in.

To which the response from the show has been some minor tweaks to the format: moving the "signature" Jay Walking and headline-reading bits to their old slot after the monologe; moving them up from the back of the show — where they had been placed on the insane belief that people would stay around for them and thus provide a strong closer/lead-in to the local news. In other words, making the show even more like Leno's Tonight Show.

And now finally, the press, always eager to take a few whacks, has officially started the countdown clock on Jay's final days.

"To Save NBC, Rethink Leno Strategy" demands Newser.

"Is It Time to Pull the Plug on Leno?" asks an ABC news headline.

"Is Leno's 10 p.m. experiment nearing an end?" asks MSNBC!...of NBC network fame.

However, with the flood of bad press raining down on Jay's head, that can only mean one thing: rebound is just minutes away. While one would have to be certifiable to bet on Leno and NBC at this dark hour, the law of nature that no one ever lost a buck betting against the wisdom of the press has not been repealed.

Ad Age reports (via) that Silverman might take over CollegeHumor at the behest of Barry Diller, who bankrolls both CollegeHumor and Silverman's new online venture. Van Veen, meanwhile. is transitioning out of CollegeHumor and into his own Diller-funded media startup, Notional, which sounds a lot like Silverman's Electus (both have something to do with online video production).

We're told Silverman and Van Veen have been working very closely together and talking to each other every day. Perhaps a grander merger is in the works that would combine Electus, Notional and CollegeHumor into one venture. Silverman may have been ousted from old media, but he could still be lord of the new media flies. Especially within a venture that actually celebrates a refusal to mature, an inability to grow emotionally and a proclivity for partying to excess. Those are Ben Silverman's specialties, right there.

(Pics: via Getty, Webbyist)

• What may be Miramax's last great premiere took place last night at the AFI Festival, celebrating the debut of Everybody's Fine, the news dramedy starring Robert De Niro, and the company appears to be going out with something less than a roar. There were early hopes that the film might give Miramax — and De Niro — one last Oscar hurrah. HItfix reports however, that "the film a mess in so many ways that neither the legendary actor or the stars who play his children — Sam Rockwell, Drew Barrymore and Kate Beckinsale — can save it." [Hitfix]

• The natives are getting restless and the drumbeat grows ever louder for the NBC/Universal Comcast deal. In their quarterly earnings reports, Comcast reported their profits were up 22 percent, bringing to a crescendo pleas that they just go ahead and buy NBC already and end our long showbiz-wide nightmare of suspense. [Variety]

• At the other end of the spectrum, Time-Warner was the beneficiary of low expectations. Its profits fell 38 percent last quarter, which remarkably was above expectations and led the company to raise its earnings projections for the year. [Hollywood Reporter]

• There may be signs of life in that old DVD market yet. The Wrap reports that after the huge success of the Transformers 2 DVD release, analysts are optimistic about the upcoming crop of blockbuster home releases to fuel strong sales. [The Wrap]

• The American Film Market, where US independent filmmakers peddle their wares for international distributors, opened yesterday and Variety saw hopes that the expo may be coming out of the doldrums it has been in in recent years. In addition to a line-up of films made by and featuring some heavy-hitters, Variety says the worldwide success of a handful of indie films — including Slumdog Millionaire — has created a more favorable climate. [Variety]

• Gerard Butler will star in the directorial debut of actor Ralph Fiennes, a modern adaptation of Shakespeare's Coriolanus. [Hollywood Reporter]

In the killing fields of NBC chatland, what little peace and stability had been achieved was just been blown to smithereens by a little hint dropped by Jay Leno, that, oh yes, now that you mention it, he'd be willing to take his old slot back.

Pity poor Conan O'Brien; his ratings are off 47 percent from Jay's, competing not just against Leno's legacy but Letterman's ongoing scandal. And then his lead-off batter, in a Q&A with Broadcasting and Cable, drops this:

If someone [from new ownership] comes in tomorrow and puts you back at 11:35, are you thrilled?

Oh, I don't know. Are you married? Whatever you want, honey.

You know I don't believe a word you are saying, right?

I'm not having a bad time at 10 o'clock now. I look at this as a job, and now I'm faced with a challenge, and it's a challenge I find difficult but interesting. I find that when I go to Vegas, whereas before I might not sell out, all of a sudden it's sold out. I seem to be doing better in terms of public appearances. I am reaching a wider audience. Whether that translates to television just yet, I don't know. But I see a difference.

Now why is that, because I'm in the paper every day? I don't know. Because I'm on earlier? I'm actually doing well; this is almost the best year for personal appearances since I started. So there is no negativity there.

Do you want to go back to 11:35?

If it were offered to me, would I take it? If that's what they wanted to do, sure. That would be fine if they wanted to.

If you are Conan O'Brien reading the above, it might occur to you that that 11:30 slot to which Jay is graciously willing to return is the one that you currently occupy.

Elsewhere in the interview, Jay shows himself to be startingly self-aware of the differences between himself and Letterman, and delivering a sort of triple backhanded compliment, saying of Dave's current scandal:

He's not being a hypocrite; Dave has never set himself up as [a model citizen]. If it were me, it would kill me. I'm the guy who's been married 29 years. But Dave has never pretended to be Mr. Moral America, he's never set himself up that way. He's not a hypocrite. I don't know how it will be viewed. He doesn't do corporate days like me, he's not as advertiser-friendly as I am. I'm the guy when Coke or Pepsi is here, I come down and shake hands and take pictures, but he doesn't do that. I don't think it will have a big effect at all.

All this occurs as the backdrop to the ratings horror show of the Leno experiment. The moment we would see the genius of the whole plan, NBC had promised, was when the other networks dramatic shows went into reruns, and there would be low-cost Jay with fresh shows to come in and clean up. Well, last week Jay had his first head-to-head against reruns and the results were not pretty. Leno actually hit his lowest number yet against a CSI: Miami repeat.

And elsewhere, the Leno lead-in seems to be pulling down local news shows across the nation.

So just to sum up the Ben Silverman legacy: NBC has decimated one of its three prime-time hours, its affiliates news shows are sinking, its late night line-up is staggering along at half the viewership of a year ago, and now its 11:30 host must once again watch his back against his network teammate.

The one thing that can be said in this whole arrangement's favor is that NBC getting out of the drama business is probably a great thing for NBC and, certainly a great thing for America. It may not be a law of nature that the big networks are incapable of launching decent dramas, but it certainly looks that way at the moment, and extra-certainly does so for NBC which just surrendered the acclaimed Southland to basic cable. Until the network figures out a way to produce shows that seem to have been created in the same space-time continuum as the HBO shows, Mad Men, Damages and even Lost or 24, it is probably better for everyone that they just sit out a few games.

• The Wrap reports that despite grossing over $300 million to date in their world tour, U2 is only just on the brink of breaking even — just as the tour is about to shut down for the summer. The expenses of hauling around its giant spider-like prong stage are so immense that despite months of sold out shows they are only just putting their heads above the waterline. According to the piece, however the band, sees the tour as a way of continuing to pump some excitement into the franchise as they enter their twilight years. [The Wrap]

• The weekend box office has been abandoned to the monsters. Pre-Halloween fight films will dominate this weekend with Saw 4 and the continued expansion of Paranormal Activity each tracking in the $25 million range. [LA Times]

• District 9 Director Neill Blomkamp has signed up for his next picture. Media Rights Campaign has committed to financing his sophomore outing, an untitled, unexplained project which will go before cameras in mid-2010. [Variety]

• In his overview of the TV season to date, The Hollywood Reporter's James Hibberd sees the networks, or most of them, staging a bit of a comeback, with a surprising number of new shows actually connecting. Glee, Modern Family, The Vampire Diaries and NCIS: Los Angeles are cited as success stories. The one very dark spot in the network picture continues to be, of course, the black hole of NBC. [Hollywood Reporter]

• Dreamworks has ordered a script for a live action version of the Japanese animated classic Ghost in the Shell. Shutter Island screenwriter Laeta Kalogridi will take a first stab at the project. [Variety]

• Anne Hathaway and Neil Patrick Harris have signed on to do voices in Fox's upcoming Rio, by the animation team that brought you Ice Age: Dawn of the Dinosaurs. [Hollywood Reporter]

When introducing the actor and his White Collar co-stars, instead of calling him Matt Bomer, she calls him Matt Boner. Don't get too excited, it's nothing he didn't hear every day in school hallways for the first 17 years of his life. Of course, everyone giggles, and when Mr. Bomer-with-an-M-not-Boner-with-an-N tries to correct her, she doesn't even realize what she said in the first place. Talk about repression!

NBC owns USA, the channel airing White Collar (tonight at 10!), so maybe this is Wolfe's ornate revenge against the network for making her interview a character actor, the Saved by the Bell alum formerly known as Tiffani-Amber Thiessen, and some guy whose name sounds like boner instead of, you know, Kofi Annan or some shit. Probably not. She's probably just thinking about sex.

Taking over Ben Silverman's suicidal command structure, Gaspin has years of interviews ahead of him in which he pleads with the public to believe that, no, we really don't want to die, even as he attempts to pilot his way through a debris field of leftover decisions which continue to suggest that's exactly what NBC wants to do.

In an interview with The Wrap, Gaspin was forced to plead that, yes, NBC really does want good ratings; no, bad ratings are not our goal. As amazing as it may sound that a network chief would need to clarify such things, his predecessor actually made a point of publicly declaring that he was "managing for margin, not for ratings", i.e. keeping costs low was more important than keeping ratings high.

Citing development deals with JJ Abrams and Jerry Bruckheimer he said in the interview, while denying that the recent cancellation of Southland meant that NBC was getting out of the drama business:

"I have been going around town and talking to agencies and talking to producers and trying to make myself visible to say that, while we think we need to produce economically, the goal is not to manage for margins," Gaspin told TheWrap. "It is to put the best possible programs we can on the air."

And while NBC's overall programming budget may have shrunk, "Our development dollars have not changed one bit from five years ago, even though we have many less hours to develop for," Gaspin said. "Our goal is to produce good shows that get whatever's considered good ratings today."

But while the new corporate strategy may be to actually attract viewers, the network is still saddled with an hour of programming every night which threatens to turn their ratings profile into something that Lifetime and Current would flee like a vampire from a crucifix.

In the latest round of stats, NBC's avant-garde experiment, The Jay Leno Show has fallen behind cable programming in viewership among the all important 18 - 49 year old demographic. As Movieline points out, on this Tuesday night Leno was murdered in the demo by FX's Son's of Anarchy, which drew a 2.0 rating to Leno's brutal 1.8.

As long as you are sitting on that little toxic waste dump, maybe saying that you're trying for low ratings isn't such a bad idea after all?

It's great for NBC that they get to save mountains of production money by churning out Jay Leno Show episodes rather than shelling out to stage cop-show shoot-outs, but one of the biggest pillars on which this whole network affiliates contraption has been based is the lead-in networks providing their local stations for their local news shows. So for NBC the Leno equation works out dandy, with them reaping less ad revenues for Jay vs. a drama (particularly considering the sad state of their recent dramatic launches), but spending far less in production costs. But if you're an affiliate, and big chunk of your revenues comes from nightly local news, the fact that someone else is saving money by lowering your ratings is infuriating.

The canary in the coal mine of this bold experiment has always been how long will the affiliates sit still for this reinventing the broadcast paradigm. And today in the LA Times we get the first hint that the answer may be not much longer.

In the piece, one voice from flyover country makes his feelings about the new era pretty plain:

"I'm not pleased with what Leno is doing. I don't think anybody is," said Craig Allison, vice president and general manager of KSHB in Kansas City, Mo. Allison's late news is off slightly from where it was a year ago, and he's anxious about the months ahead.

"I don't think any NBC affiliate wanted to wake up in the fall with a weaker lead-in to their late news," Allison said.

The piece goes on, however, to make clear that NBC has largely been effective in silencing affiliate opposition by buying them off with extra ad slots that they can sell locally. And then, in good newspapery "to be sure" manner, the article offers up a quote to cancel out the above quote's support of the article's thesis.

"

We're quite pleased," said Brooke Spectorsky, longtime president and general manager of WKYC in Cleveland. So far the station's news performance is flat compared with a year ago, although there are "still days in which you squirm a little."

The LAT leaves it to us to imagine the gun held to Spectorsky's skull as he recited that line to its reporter.

However, whether the rumblings are perceived or real, if Jeff Zucker, and your GE bosses are currently looking to sell off their entertainment holdings, this is not the moment when you want anyone thinking that your entire operating model is about to come apart at the seams.

Last night, Tina Fey and company only logged 6.3 million viewers, which was down 25% from The Office which preceded it. It's also down almost a third in the adult demographic from the season debut last year, when Fey was hot off her stint as Sarah Palin on SNL. What happened? Well, there wasn't the heat or media attention of the Palin thing, so the only other way to get the word out about the show's return was NBC promos. And since no one is watching the molting peacock, how would anyone see them? Way to kill your only good show, guys.

On the show, NBC and corporate greed in general were definitely the bad guy. The whole episode revolved around the money troubles at the network so they were trying to reach out to middle America. Hm, does that sound anything like a money-strapped network giving away five hours of prime-time real estate to a cheap talk show that only old people and the chronically unfunny will love? Nah.

To spruce up The Girlie Show Jack orders Tracy and Jenna to appeal more to the middlebrow. Tracy does this by trying to get in touch with his roots and Jenna decides to go country. Taylor Swift she is not. And when the network gets her to sing some down-home promo tunes for their sports division, the only thing they have to give her is off-season tennis. That sounds more exciting than the network's current lineup.

When Tracy realizes that Grizz and Dot Com are keeping him in a bubble of privileged, he tries to go out on the street to meet regular folks, but he can't even find the elevator that he's not afraid of. And when he finally makes it outside he terrifies everyone by asking them things like "Are you a pre-op trans-centaur?" Maybe he can Twitter his way into America's hearts!

The biggest showdown with the network came when Kenneth was told that he can't get paid for overtime anymore. When he mistakenly opens Jack's paycheck and is mesmerized by all its zeros, he demands to get his overtime back. Then he finds out that it was Jack's bonus check and he hits his hillbilly roof and organizes a strike (see the clip below). Sure, everyone might see this as a reflection of the way corporate America reacted during the recent economic crisis, but all of us media hounds know that it is really Tina Fey lashing out against the suits in the home office. She is the one who thanked the network in her Emmy acceptance speech for "keeping us on the air even though we're so much more expensive than a talk show." It takes a real lady to stick it to the man.

And that is why we love 30 Rock. They know that they are the network's only good show, so they're not afraid to take countless jabs at the people who pay their salaries. What is NBC going to do? Cancel 30 Rock? The foam from the mouths of angry media elites would be enough to drown everyone at the corporate headquarters. Without 30 Rock the network will have nothing to win Emmys, maintain some street cred, and, you know, actually make people laugh. In the end, the protest is just like the one that Kenneth wages to get Jack to sign a paper saying he is a big fat liar: totally fruitless, but so much fun to watch.

Zucker, the bullet-headed upward-failer who's managed to infuriate and exasperate his many critics into sputtering fits of rage simply by never, ever getting fired despite an incontrovertible record of deserving to get fired, will stay under any new ownership, according to "three people with knowledge of the situation." We're confident that those three people are Zucker, his wife, and his cousin, because expert care and feeding of the press is one way Zucker has managed to never, ever get fired.

To celebrate the news of his continued survival, here's a handy list of Zucker's brushes with death (real and metaphorical), and how he survived them all, unfairly (except for the brushes with real death, which we're glad he survived).

Harvard Law School
Zucker gained fame as the youngest executive producer of the Today Show ever—he took the helm at age 26 in 1992. How'd he land that gig? By failing to get into Harvard Law School. After Harvard rejected him, he took a job as a researcher at NBC Sports, met Katie Couric, and was running Today six years later.

NBC Nightly News
Zucker was undeniably successful at Today, if by "successful" you mean "good at turning it into a show where bands played rock music outside and you could look at Katie Couric's gams." He was so good at it, in fact, that in 1993 NBC News also put him in charge of the NBC Nightly News With Tom Brokaw, a job he excelled at for the precisely five weeks it took him to fail at it and go back to just producing Today. Tom Brokaw called him "Doogie."

Now With Tom Brokaw and Katie Couric
Now was Zucker's brainchild—an hour-long primetime newsmagazine in the vein of 60 Minutes, 20/20, and Dateline NBC, which already existed on NBC in 1993, when Zucker launched Now. It lasted one year, because it sucked. Dateline is still around.

Good Morning Miami
After getting promoted to president of NBC Entertainment in 2000, Zucker was moved out to Hollywood with the explicit job of a) keeping Friends on the air for as long as he could and b) coming up with a successor sitcom for Thursday nights after it did, inevitably, go off the air. Zucker kept Friends going until the 2003-04 season, but his first bid for a successor was Good Morning Miami, a show about a nebbishy young morning-show executive producer in Miami—Zucker's hometown. Good thing Mark Feuerstein, who played the main character, had a full head of hair. Otherwise the show could have been misinterpreted as egomaniacal self-glorification. It sucked and was canceled.

Coupling
With the Friends franchise fast disappearing, Zucker put his faith in an exciting young upstart producer named Ben Silverman to keep NBC on top Thurday nights. In 2003, Silverman adapted the British hit Coupling for American audiences. It was going to be awesome, Zucker told television critics. It lasted one month, because it sucked, and Zucker later admitted to those self-same television critics that he "knew from the first taping it was in trouble." Stephen Moffat, the creator of the British version, had this to say when asked why Coupling sucked: "I can answer it with three letters: N, B, C.... The network fucked it up because they intervened endlessly. If you really want a job to work, don't get Jeff Zucker's team to come help you with it because they're not funny. All right? There you go."

Joey
By 2004, Zucker was promoted to running the NBC Television Group, and brought in Kevin Reilly to shepherd primetime on the network, but not before deciding that Joey was a really great idea for keeping that Friends magic going. It was not.

Ben Silverman
Zucker fired Reilly in 2007, and hired Ben Silverman, the genius behind Coupling. Silverman lasted two years of clubbing and combating rumors that he does drugs all the time and can't make morning meetings because he's hung over before getting fired a few months ago.

Losing $1 billion
The collective impact of the aforementioned decisions is that when Zucker took the reins at NBC, it was the number one network among 18-to-49-year-olds and home—or inheritor—of brands like Seinfeld, Cheers, and Friends. By 2005, it was dead last. In the 2004-05 season, NBC raked in an astonishing $1 billion less in ad revenue than the season prior.

Land of the Lost et. al.
Under Zucker's ultimate leadership, Universal Pictures is in the midst of a prolonged box-office slump marked by expensive non-starters like Land of the Lost (cost $100 million, made $62 million worldwide), Funny People (cost $75 million, made $60 million), State of Play, Frost/Nixon, etc. Zucker ordered Universal honcho Ron Meyer to shake up the executive ranks last month, but the studio has a lot of expensive movies still in the pipeline.

Lying to Nikki Finke
Perhaps worst of all, Zucker lied to Nikki Finke. When she heard rumors last summer that Silverman was on his way out at NBC, Zucker assured her through a spokesperson that nothing could be further from the truth: "Ben is here to stay for the foreseeable future. No changes afoot." And we all know that lying to Nikki Finke gives you cancer.

Cancer
Which is nothing to Jeff Zucker! He's survived two bouts of colon cancer. The man will not be moved.

After seeing the first six episodes completed for the second season, the network halted production on the project because, they say, it was too dark and gritty for Friday night at 9pm. Then why not air it elsewhere? Maybe later at 10pm? Oh, right, that place on the schedule is no longer available because Jay Leno gobbled up the primetime lineup like John Travolta at an all-you-can-eat buffet.

The good-for-NBC Southland (or what passes for "critically acclaimed" on network TV these days) is produced by E.R. and The West Wing alum John Wells, did well in its original Thursday night at 10pm slot last season, where it debuted to an audience of about 10 million and won its time slot.

Wells, who has created hits for the network for years was none too pleased, as he told The Hollywood Reporter:

I'm disappointed that NBC no longer has the time periods available to support the kind of critically-acclaimed series that was for so many years, a hallmark of their success. We remain extremely proud of 'Southland' and are actively looking for another home for the series.

It was probably much more expensive to pay all those actors and writers and set designers and wardrobe people to make a decent show when you can pay Leno comparative chump change to make not-funny jokes and have people send him in headlines for free (just like the internet!).

Southland, which was set to roll out October 23, will be replaced by Dateline NBC for the foreseeable future. That's right, because news is cheap and "To Catch a Predator" is never gritty—or gripping.

Ever since Kari Ferrell asked all of Williamsburg's bearded young men to throw a hot dog down her hallway, America's been waiting to see how NBC's most unceasing police investigative drama would incorporate that phrase, and its utterer, into its canon. Wait no more. Just watch the clip, all the way.

Also: The only similarities the girl in this episode bore with Kari Ferrell were, 1. She was Asian, 2. She was always lying about how she had some medical condition, in order to win sympathy and/or money, and 3. She was using her sexiness to get things from men. But the lady in the show was way crazier than even Kari Ferrell (has had a chance to be so far).

The promo clip for the episode is pretty vague. All the apparent parallels with the Kari Ferrell case are, 1. An Asian woman is involved, and 2. There appears to be some illicit sexxxy action going on. That said, this plot summary from an NBC message board really doesn't sound like the dynamic grifter we know and love:

A CRIME SCENE INVESTIGATOR IS FOUND DEAD WITH HER UNFAITHFUL FIANCE AS THE PRIME SUSPECT. HOWEVER, WHEN A YOUNG JOURNALIST IS ATTACKED AND LINKED TO THE CRIME, THIS OPEN-AND-SHUT CASE MAY NOT BE AS SIMPLE AS IT ORIGINALLY SEEMED.
After CSU investigator, Daisy Chao, is found murdered in her apartment, Detectives Cyrus Lupo (Jeremy Sisto) and Kevin Bernard (Anthony Anderson) suspect her fiancé Jim Anderson may not be telling the whole truth about his involvement with the murder. When young journalist, Emma Kim (Guest Star Camille Chen), is attacked by a cab driver, DNA found at both crime scenes seems to implicate the same man for the attacks. The investigators become personally involved with the case as Detective Lupo gets close with Emma, and ethical questions arise. Also starring: S. Epatha Merkerson (Lieutenant Anita Van Buren), Sam Waterston (District Attorney Jack McCoy), Alana De La Garza (Connie Rubirosa), and Linus Roache (Michael Cutter).

This would require the Grifter character to be a journalist. Doubtful.