It just seems like so many of the comments are based on people's emotional attachment to the Postal Service. If you feel, for example, that the Postal Service's album and lyrics "shaped your college experience," then of course you're going to lash out at some facsimile of that music. You want to own it. You want to be the song. Be the song that you hear in your head But let go because you can't. Even in the discotheque. I agree that there are striking similarities between Owl City and the Postal Service. And I agree with the totally subjective statement that the Postal Service is superior to Owl City, but whether there's some actionable claim against Owl City under IP law is the Postal Service's issue. I suspect they're shrugging their shoulders. A lot of people have a fantastic, brilliant and wonderful attachment to Give Up. Don't let that emotional response to that brilliant album make you bitter. You'll be growing through this a lot as you age, trust me. This won't be the first of your sacred cows to get the pop cultural makeover. Having said that, I may take this all back if they ever really do make Heathers the TV show or Heathers the musical.
I'm usually a so-what-who-cares kinda guy when it comes to this stuff but this really is impressively rip-offy, moreso than that stupid Kanye song that sampled Daft Punk (which, I know, in turn sampled Edwin Birdsong). And the lyrics suck. I really would have enjoyed another Postal Service album, but this clearly isn't it.
fuck you foster. everyone knows volcano choir is the new postal service. i'll tell my electric president to bomb your owl city in halloween, alaska. etc. none of these songs have anything in common. do you have EARS?!
This rule of thumb usually comes in handy for me most frequently over on i09, but it works here as well:
Pointing out when things resemble other things on the internet isn't as valuable a skill as you might want it to be.
That said, the only thing that sounds similar here is the vocal delivery and vocal effects. And yes it is remarkably similar.
So what? Anyone who thinks this type of thing doesn't happen all the time everywhere to every popular band, always has, and always will, is pissing into the wind. Just happens to be a glaring example readily at hand here.
And yes, major labels are evil and wittle bitty indies like Sub Pop are pure of heart. <3 But no matter how much major label music sucks in your opinion, it will never, ever effect your ability to listen to thousands upon thousands of new, unheard, indie or local, or avant garde or whatever bands. Just stop looking for music in places where major label music occurs and you will avoid this problem.
Uhh, I lost track of who I was supposed to be mad at by the end here. I'm gonna go over there now...
Postal Service? Isn't that the band that got popular by being on the Garden State soundtrack? #molehill
Also: "When Nirvana moved to Geffen Records, Sub Pop received royalties from sales of Nevermind that kept the label going for years afterwards.[14] After the mainstream success of Nirvana, many successful grunge bands had left Sub Pop for major record labels. Soon afterwards, a joint venture was formed with Warner Bros. Records, thereby ending Sub Pop's status as an entirely ind..."
@ninety_nine: BLASPHEMY! The Shins were on the Garden State soundtrack NOT Postal Service, although there was a version of "Such Great Heights" by Iron and Wine on the soundtrack.
@HaychDub: Huh, I'm looking at my comments very closely. I don't see 'The Shins' in either one. I reference the highly annoying Ben Gibbard in both, and the two of his bands. That both are interchangable with any the hacky drivel of Garden State (including the cover of a Postal Service song) is, um, entirely intentional.
@MissNormaDesmond: Thank you for saying that. Also, Prefab Sprout never used that annoying Auto Tune stuff that makes Owl City (and so much crappy hip hop) sound more awful than they already are.
Overproduced is putting it lightly. Mr. Young's voice has nothing on Mr. Gibbard's. Also, he is naive to think he's a part of something other than one of those 'innovative' (read:overproduced) songs that is inevitably overplayed on z100 and fades into obscurity after a few months.
Sorry, I sound a little harsh, but haven't we all seen this before?
Plus I'm just totes annoyed they would compare the two in the first place.
The thought of getting a hug from ten thousand lightning bugs scares the bejeesus out of me. That's as far as I've ever been able to listen to the lyrics. Scarey and nauseating at the same time.
Yeah, I heard this on the radio yesterday and I got excited because I thought "new Postal Service record getting played on the radio?" Then I used my handy 'Shazam' app and the sad truth was revealed.
@Colander: SERIOUSLY. I didn't know what this was about until I listened to the second part and was like "Wait... I have heard this and I thought it WAS new Postal Service."
The painfully bad lyrics should have clued me in, but STILL. I got all excited for no reason and now Owl City owes me lunch.
@Colander: I did the same thing, except I figured it couldn't be Postal Service because it was on a super mainstream station. Then the chorus hit and it was over. PS is already close to cheesy, but in a good way. It's like they ran the Postal Service record through a horrifying, cheesifying machine.
11/23/09
11/23/09
11/23/09
11/23/09
[Reference Points:
[www.youtube.com]
[www.youtube.com]
[www.youtube.com]]
11/22/09
Pointing out when things resemble other things on the internet isn't as valuable a skill as you might want it to be.
That said, the only thing that sounds similar here is the vocal delivery and vocal effects. And yes it is remarkably similar.
So what? Anyone who thinks this type of thing doesn't happen all the time everywhere to every popular band, always has, and always will, is pissing into the wind. Just happens to be a glaring example readily at hand here.
And yes, major labels are evil and wittle bitty indies like Sub Pop are pure of heart. <3 But no matter how much major label music sucks in your opinion, it will never, ever effect your ability to listen to thousands upon thousands of new, unheard, indie or local, or avant garde or whatever bands. Just stop looking for music in places where major label music occurs and you will avoid this problem.
Uhh, I lost track of who I was supposed to be mad at by the end here. I'm gonna go over there now...
11/22/09
#molehill
Also: "When Nirvana moved to Geffen Records, Sub Pop received royalties from sales of Nevermind that kept the label going for years afterwards.[14] After the mainstream success of Nirvana, many successful grunge bands had left Sub Pop for major record labels. Soon afterwards, a joint venture was formed with Warner Bros. Records, thereby ending Sub Pop's status as an entirely ind..."
11/22/09
11/23/09
11/23/09
#tips
11/23/09
#tips
11/22/09
11/22/09
11/22/09
11/22/09
11/22/09
11/22/09
11/22/09
Sorry, I sound a little harsh, but haven't we all seen this before?
Plus I'm just totes annoyed they would compare the two in the first place.
11/22/09
11/22/09
11/22/09
11/22/09
11/22/09
11/22/09
The painfully bad lyrics should have clued me in, but STILL. I got all excited for no reason and now Owl City owes me lunch.
11/22/09
11/22/09
11/22/09
11/22/09
And I'm sure WB and SP made a nice bit of money off Such Great Heights thanks to the soundtracks/commercials/compilations it's appeared on.
11/22/09
11/22/09
11/22/09
11/22/09