If the amount of money someone sues Sacha Baron Cohen for reflects how pissed off they are about him making them look stupid on camera, then this Palestinian is by far the most pissed off. He's suing for $110 million.
We have a tie! For now. The actuals will come out soon and one film will beat the other. But now! Ambivalence or equality or peace or something. How perfect, as we stand in the smoky ashes of Freedom's birthday.
So Public Enemies, writer/director Michael Mann's slick new crime drama, is getting pretty decent reviews, but reading them doesn't exactly make us excited to see the damn thing. Mann is just so uneven—a technical wizard who ignores everything else.
Everyone's mad at the banks these days, because they've robbed us blind, and now they're holding their hands out wanting some more, please. So it's a perfect time for Johnny Depp as bank-robber John Dillinger.
Another year, another lackluster awards-season showing for Hollywood studios. And while their art-house affiliates more than picked up the slack, could 2009 be the year the majors finally reclaim the Oscars for themselves?
After the controversy that ended production on Public Enemies beneath a pall of suspicion and busted craft-services morale, we are relived to hear today that Michael Mann's gangster epic survived — and maybe even flourished.
We're happy to see today that the winged gatekeeper budget-monkeys on the set of Michael Mann's Public Enemies — who so scandalously sought to exclude scores of part-timers from the film's recent wrap party in Chicago — ultimately came around to relaxing their admission standards to the point where even Stephen…
A Defamer operative sends disturbing word from the Chicago set of Michael Mann's Depp-as-Dillinger drama Public Enemies, where assistant best boy trainees and part-time bagel replenishers are now jockeying for a spot at the film's unusually exclusive wrap-party for "deserving crewmembers." We hear the 40-work-day…
After yesterday's HamburgerGate drama from the set of Transformers 2, we know how poorly things can go when an extra's big, swinging ego good intentions override his place in a production's creative food chain. As if on cue, Vanity Fair contributor Bryan Burrough — whose book Public Enemies, about John Dillinger and…
