<![CDATA[Gawker: rick moody]]> http://tags.gawker.com/assets/base/img/thumbs140x140/gawker.com.png <![CDATA[Gawker: rick moody]]> http://gawker.com/tag/rickmoody http://gawker.com/tag/rickmoody <![CDATA[Rick Moody is Over Himself, OK?]]> The Ice Storm author and Dale Peck nemesis says, "After 9/11, I really wanted to deal with the culture as a whole instead of just navel-gazing." Moody calls his 1992 book Garden State (no relation to the Natalie Portman/Zach Braff film) "a truly dreadful book but it's emotionally accessible and vulnerable and I admire that." Re: drinking? He's recovered now: "There wasn't some halcyon period where I could have one or two drinks and be witty at a party. I'd have six or eight more and try to f—- other people's girlfriends." [Sydney Morning Herald]

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<![CDATA[Rick Moody Pies Dale Peck]]> Dale Peck has become so much less angry since he scored that $3 million book deal! The novelist and critic—whose Friendster profile was once described as "incredibly anti-corporate and anti-consumer," who famously hated things much more than most reviewers do these dark days, and who was slugged by Stanley Crouch because of it—recently allowed himself to be pied by Rick Moody. Moody was once described by Peck as the worst writer of his generation. But at a fundraiser the Montauk Club last night, it was all fun and games and pieing. [NYT]

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<![CDATA[Rick Moody and the Times Square trannies]]> Rick Moody's Black Veil is a pretty standard nonfiction novel memoir travel book literary critical recovery tome. (Yes, that's his description. More interesting than the Ice Storm author's struggle with alcohol: what he didn't publish). A description of a trip to a tranny bar didn't make it past the publishers. Don't worry: Moody, the envy of his peers after two books were made into movies, has posted the deleted account to the Five Chapters website. The author's preamble: "I asked a writer friend who is an expert on the subject if he would take me to a tranny bar in New York City, and off we went," he says. (Yes, that's what they all say!) "I really liked this passage, still do, but I think my publishers were genuinely uncomfortable about it, as if it suggested a genuine inner disturbance of some kind." The girls, and their residuary knobs, after the jump.

The guys, many of whom were no doubt wearing wedding rings, fashioned disguises of routine heterosexuality, paid their taxes like anyone else, made sure to brush their teeth, to recycle beer cans, but their girls were concealing that extra special surprise underneath. Subsequent researches into the rhetoric of the tranny chaser always turned up variations on this particular turn of phrase, so I use it advisedly: I'm looking for a girl with a little something extra...

Dean was a frequenter of the old Times Square bars, Sally's, Edelweiss, the vanished demimondes of transsexual hookers, and he constructed a forceful argument about the inferiority of this club — there were regulations now, in the Giuliani administration, on how decadent a business of this kind could really be, and so there was an abridgement of the pure expression of transgender madness...

We stood around watching, as the bouncer stood around watching, as the pool of available men stood around watching. There was no privacy to be had. We watched as the girls peeled back layers, hiked up miniskirts, flung halter tops on the floor, so that you could see their boys' hips and the residuary knob in their thongs that no amount of female hormones had yet been able to obliviate. One guy in the corner was desperately trying to achieve satisfaction, such that his Asian girl, weighing in at about ninety-three pounds, was athletically cycling through a half-dozen different poses. Abrading the front of him. What would happen to this pair? Dean, with his slightly weary brand of curiosity offered a guess: They'll negotiate some price for going back to a hotel. Or she'll take him to her room.

...I thought I had learned everything I needed to know, and I was downstairs getting ready to take leave when we beheld, across a crowded room, the Radcliffe Girl. Her ambitions were far more interesting than the post of receptionist. She didn't simply want to be in the bar, she wanted to own the bar, or maybe she wanted to replace Anna Wintour at Vogue, or Tina Brown at Talk, and, along the way, she wanted to make men yearn and suffer. Her chestnut hair, just a bit shorter than shoulder length, was pulled back, and she wore a black sheath minidress, black fuck-me pumps. No stockings. A discreet lipstick, very little makeup. Her demeanor was both insouciant and resolutely aristocratic, as if, after she had danced a few lap dances, the driver might pull around front with the Mercedes, and she would head home for a nightcap. And in the morning, there would be her squash lessons over at the club.

The attraction was tribal. I mean, I could have easily seen her in Connecticut — she was very Greenwich — or perhaps at my boarding school class reunion; in fact, she looked a little like my famous classmate, the failed actress, Catherine Oxenberg. Except that this Oxenberg imposter would more likely incline toward restraints.

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<![CDATA[Divining the Truth: Who Knocked Michiko Kakutani?]]> 060410_CB_KakutaniTN.jpgSo, surprise of surprises, this week's Time Out has a fairly interesting feature in which New York's professional critics are judged by a panel of experts. There aren't many shocks (The New Yorker's Sasha Frere-Jones and Alex Ross are great music critics, Frank Bruni is inferior to his $25-and-Under colleague Peter Meehan, something about dance, etc.) but the gloves really come off when Times book critic Michiko Kakutani gets reviewed.
"Reactionary, mean-spirited. Has a permanent grudge against experiment, playfulness, subversion, perversity and complexity. Her reviews are predictable, dull, ugly, conservative, mocking and trite."
Well, it's not an uncommon opinion. And she can be a little mean-spirited at times.

Take, for example, her review of Jonathan Franzen's recent memoir, The Discomfort Zone:

Just why anyone would be interested in pages and pages about this unhappy relationship or the self-important and self-promoting contents of Mr. Franzen's mind remains something of a mystery. In fact, by the end of this solipsistic book, the reader has begun to feel every bit as suffocated and claustrophobic as Mr. Franzen and his estranged wife apparently did in their doomed marriage.
Wow, way harsh, right? It's almost as mean as her 2002 review of Rick Moody's The Black Veil:
Mr. Moody offers not-very-interesting parallels between his life and his little-known first novel; a disembodied tirade about ''brutality, bloodthirstiness, and murder'' in American history (from the massacre of Indians to the bombing of Hiroshima and Nagasaki); and ham-handed efforts to draw parallels between Handkerchief Moody and contemporary figures like William S. Burroughs (who shot and killed his wife while playing a game of William Tell) and the high school killers Kip Kinkel, Dylan Klebold and Eric Harris. All of which suggests not only that ''The Black Veil'' was written in fits and starts, as the author admits, but also that halfway through, Mr. Moody abandoned the effort to transform self-indulgent fragments into something that might properly be called a book. This volume should have been titled: ''Digressions Masquerading as a Memoir.''
You'd certainly consider remarks like this "reactionary" and "mean-spirited," particularly if you're Moody or Franzen, both of whom served on the panel that rendered judgment. So which one said it? Or was it someone else altogether? (It's a distinct possibility, because nowhere in that assessment is the pronoun "I" used.)

Judgment Day [TONY]
A Man Who Looks in the Mirror and Smiles [NYT]
Behind Each Dark Cloud Lies an Even Darker One [NYT]

Related (and image via): Assessing Michiko Kakutani [Slate]

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<![CDATA[CitySecrets]]> Architect Robert Kahn's CitySecrets guidebooks offer an impressive collection of insider tips provided by contributors such as Michael Cunningham, Penelope Lively, Rick Moody, and fellow architect Richard Meier. Selected sites include the main room in the McKim Mead & White-designed Metropolitan Club, a three-painting tour of Upper East Side museums, and the garden of the General Theological Seminary.
Tripping with the hip tipsters [Boston Globe via Kottke]
CitySecrets.com
City Secrets: New York City [Amazon]

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