Truth be told, though it was a kind gesture on her behalf, it wasn't just Anne Hathaway who delivered the pizza. It was the entire cast and crew who took up collections and ordered the pizza. So the love deserves to be sliced up a little more.
I love her. She is the antithesis of the talentless tabloid whores. She dresses tastefully and has beautiful, natural skin (no tan-paint for her). She's smart. On talk shows, she's playful, veering toward silly. She’s a good daughter: she takes her parents with her to lots of events. And now this? Pizza delivery to fans at 3 AM? Cheers to Ms. Hathaway!
@iplaudius: Yes I agree with everything you just described about her. She just needs more discretionary taste when it comes to selecting her male companion.
@iplaudius: Seconding all of the above, adding her advocacy on behalf of her gay brother and the rest of us. She makes it difficult not to be totally in love with her.
You know, this is just a normal actorly thing to do. Because, in case you guys didn't know, ANNE HATHAWAY IS A FUCKING REAL ACTRESS, LIKE ON A STAGE WITH COSTUMES AND SHAKESPEARE AND LEARNING LINES AND SHIT.
I was there! It wasn't just Anne it was a whole bunch of the cast at the tail end of their closing night festivities.
Let me tell you, NOTHING tastes better after sitting in the rain for 3 hours than a fresh hot slice of pizza.
I think this show has a great chance, actually. Besides being utterly delightful, it has the potential to appeal to a wide audience--from High School Musical-loving tweens to people looking for a more quirky Freaks and Geeks-esque show. The music is infectious, the writing is great, and the production quality is wonderful. Plus, FOX has been promoting the hell out of it, and thus seems to really want it to succeed. I think it was a genius move to preview it before the actual season starts, thereby giving it time to generate buzz all summer long (without having to suffer through the slow growth of ratings for the first episodes as it does so). If it were a mediocre pilot, it could easily be forgotten during that time, but it was a solid episode that ended with an emotional, catchy and show-stopping final number that people will be watching over and over on Hulu and YouTube (not that I would know anything about that).
I really hope this isn't all just wishful thinking, because I'm in love with this show already.
This show reportedly costs over $3 mil per episode to produce, which is HUGE! That's almost 4-7 times the amount of most sitcoms. And by comparison, ABC lost their shit with Pushing Daisies b/c episodes were coming in over $1 mil. If this show does not explode in ratings, I don't see Fox not pulling the plug quickly.
@ae38: Fuck. It had disappointing retention out of American Idol, as well. I'm starting to worry that we won't even get 13 episodes of this, before a cancellation order (and don't forget, even with the episodes paid for and produced, FOX would save a lot of money in music licensing rights if it did not air the episodes).
Ugh. The last thing we need is another gay fantasia that seems to show people that they, too, could dig themselves out of their unsavory social pigeon holes and become something special. Let me know when someone develops a series about a few high school guys who do half-day tech school, smoke too much pot to function, and always end up with nasty, leatherfaced nit-wits.
I was pretty entertained by it, to my surprise. I don't understand why networks don't premier more shows in the summer time while other networks are on re-runs.
Part of the O.C. (sadly, I watched the first season) success was that it launched in the summer when nothing else was on T.V.
Maybe it's because the advertising buys aren't as high in the summer? I just don't understand that formula of networks saving the good stuff for the fall!
@IShouldBeFamous: For every summertime success like The OC (which actually only began in August), there are a number of failures. See: Swingtown, Windfall, and Mental (which will be premiering on Fox next Tuesday).
I was moved by what I saw and heard, and I look forward to what this show seems to have in store. How many of us have exchanged risky visions of creative fulfillment for perfunctory employment?
Will’s wife goes right for the jugular with her accusation: "It’s your way of recapturing your glory days." Material comfort and the mechanism of shame make a persuasive argument to let creative instruments gather dust in the attic. For those of us whose creative pursuits have faded into memory, this show gives at least the vicarious thrill of hope for renewal. The real-life difficulties are present in Glee, among them the problems of less pay, longer hours, and marital stress. The sweetness of song, however, may inspire us to find in ourselves what we lack: will. In that regard, there is much in the name of the protagonist, as there is much promise in the name of the show.
Music makes the final scene beyond effective. How else could a predictable ending to a conventional narrative make me feel so exhilarated, so full of hope and—I have to say it—glee? It is thanks to the fantastic arrangement of "Don’t Stop Believin’" and to Lea Michelle’s interpretation in her solo at the beginning. (Not being a musical theater buff, I did not know who she is! Sorry!) It feels so awesome at the beginning of that number, because she makes her voice soar in a melody that most of would have to strain to sing. When you hear a voice do that—make it so easy and agile and light—there is a vicarious thrill: it’s like knowing how to body-board and then watching a professional surfer flying through a massive tube.
I'm going to respectfully disagree, but judging by the number of myspace and fox sports net references contained within, it will probably be on forever, because all is well if your network's corporate parent is getting theirs. watch out next season, when rupert murdoch is crowned prom queen and the kids compete to intern at the Weekly Standard.
@obloquy: I'm kind of worried about the departure of Peter Liguori from Fox. He was the executive in charge of FX when Ryan Murphy brought aboard Nip/Tuck. I feel like he was a driving force behind getting this show on air. At least Kevin Reilly, also from FX, also responsible for developing and programming Nip/Tuck, is still President of Entertainment at FOX.
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Let me tell you, NOTHING tastes better after sitting in the rain for 3 hours than a fresh hot slice of pizza.
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...she was a pretty awesome Viola, though.
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05/20/09
I really hope this isn't all just wishful thinking, because I'm in love with this show already.
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HILARIOUS!
05/20/09
Part of the O.C. (sadly, I watched the first season) success was that it launched in the summer when nothing else was on T.V.
Maybe it's because the advertising buys aren't as high in the summer? I just don't understand that formula of networks saving the good stuff for the fall!
05/20/09
05/20/09
Will’s wife goes right for the jugular with her accusation: "It’s your way of recapturing your glory days." Material comfort and the mechanism of shame make a persuasive argument to let creative instruments gather dust in the attic. For those of us whose creative pursuits have faded into memory, this show gives at least the vicarious thrill of hope for renewal. The real-life difficulties are present in Glee, among them the problems of less pay, longer hours, and marital stress. The sweetness of song, however, may inspire us to find in ourselves what we lack: will. In that regard, there is much in the name of the protagonist, as there is much promise in the name of the show.
Music makes the final scene beyond effective. How else could a predictable ending to a conventional narrative make me feel so exhilarated, so full of hope and—I have to say it—glee? It is thanks to the fantastic arrangement of "Don’t Stop Believin’" and to Lea Michelle’s interpretation in her solo at the beginning. (Not being a musical theater buff, I did not know who she is! Sorry!) It feels so awesome at the beginning of that number, because she makes her voice soar in a melody that most of would have to strain to sing. When you hear a voice do that—make it so easy and agile and light—there is a vicarious thrill: it’s like knowing how to body-board and then watching a professional surfer flying through a massive tube.
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