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citizen journalism
David Simon: Dead-Wrong Dinosaur
The creator of the brilliant television series The Wire today asked Congress to legalize monopolistic collusion by newspapers. Only they can really cover City Hall, he said. Apparently he hasn't been there in a while.
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Media Crack
Layoffs at Men's Health and Women's Health?
In your blizzardy Monday media column: rumored layoffs at Men's Health, David Simon is righteously angry again, Ladies Home Journal's integrity—its most valuable asset, next to yarn—is questioned, and more! More » -
Stalker deluxe
The Dickensian Aspect
Who sat next to me in celebrity hotspot Cafe Grumpy today? Clark Johnson, a.k.a. heroic city editor Gus Haynes from The Wire! Of course he is a big fan* of Gawker: More » -
sad things
The Ghostly Remains of The Wire's Set
The masterpiece of television's modern age, The Wire, came to an end last year. Everyone just left the soundstage, trash-strewn and abandoned and forgotten. Someone recently took photos of the ruins. They're sad. More » -
recaps
The Best & Worst of the 2008 Emmy Awards
The '60th Anniversary' Emmy Awards, recognizing "excellence" in television, paraded themselves around last night, vindicating and embarrassing the whole affair in equal measure. Some little-watched and much-deserving programs won top glittery trophies (30 Rock, Mad Men) while sycophancy, silly time wasting tedium, and suspicious whiffs of censorship soured the perfumed air. After the jump we'll give you some of the best and worst Emmy moments, as we saw them, for those of you (and I suspect that was most of you) who didn't watch any of the lurching proceedings. More » -
emmy awards
Emmy Nomination Hell! 10 Plots and Subplots to Watch After Today's Big Announcements
The world awoke this morning to the chirping of little birds resembling Kristin Chenoweth and Neil Patrick Harris, perched at a podium in the Academy of Television Arts and Sciences, announcing nominations for the 60th Emmy Awards. While most rolled over and tried to get back to sleep, we sat bolt upright as usual and sprinted to the window, our furious note-taking chronicling a few snubs, surprises and plenty of the conventional wisdom we've come to expect from the annual ritual. More » -
emmys
The Wire Was Robbed
All these shows—nominated either for best dramatic series (the first six) or best comedy series (the latter five) in this year's Emmys—are perfectly worthy contenders. And the final season of The Wire, HBO's gritty drama set in a corrupt and decaying Baltimore, wasn't quite the climax that fans of the David Simon show had hoped for. But it's an injustice that such a brilliant piece of work, which turned the dismal failures of public policy into heartbreaking human tragedy, should have ended its run without a single nod. More » -
david simon
'Wire' Creator Proud of New HBO Miniseries, No Matter Who Wrote it
From the creator of The Wire! Sort of! The Iraq miniseries Generation Kill premieres this weekend on HBO, with do-no-wrong David Simon linked as co-writer/executive producer of the seven-part event. The LA Times had a look and seems to have liked it fine, despite the fingerprints of journalist and source author Evan Wright having smudged some of the central characters' "expository dialogue." More » -
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things we will probably like
The Wire's David Simon To Further Depress Us With New Iraq War Series
In one month's time, David Simon will (hopefully) dazzle and depress us all over again. The mastermind behind The Wire, HBO's stunning and somber study of urban decay, has created a seven-part miniseries called Generation Kill, once again for HBO. The series, based on the Evan Wright book, depicts a group of Marines during the first forty days of the current clusterfuck debacle in Iraq. While we've not seen a screener or anything, we can certainly hope that Simon's ultra-realistic, carefully worded style will make the series as icky, uncomfortable, and thoroughly fascinating as The Wire. Above find a trailer for the series, below a brief clip of cast and crew talking about the project. More » -
the theatre
Things We Like
Jim "Prez" True-Frost, from the greatest show ever on television ever, The Wire, will be taking over the part of Little Charles in the greatest show on Broadway right now, August: Osage County. Good casting. -
online video
Apple adds HBO to iTunes, but only by caving on pricing
As a a part of a deal to bring HBO shows to the iTunes store, Apple will allow a content producer to break its $1.99-per-show price structure for the first time, HBO employees involved in the deal told Portfolio. Last summer, Apple CEO Steve Jobs refused to allow NBC to do the same, so NBC boss Jeff Zucker took his shows elsewhere — to Microsoft and the Zune, specifically. Why did HBO get the deal while NBC didn't? More » -
the wire
The Coda
The Wire will never die, as long as die-hard followers like Culture Vulture still remember. Here, from the New York Magazine blog, is a wonderfully geeky frame-by-frame analysis of the final montage from David Simon's crime and corruption drama. -
great television
Saying Goodbye to The Wire, Over And Over Again
As you may have heard a million and one times today, last night was the series finale of HBO's The Wire, David Simon's sad and probing look into the lives of some people who lived in an American city once. Today there has been heaps of coverage about the last gasp of the Greatest Television Show In The History of Ever, and it can be a little daunting to sort through it. So, we've gone ahead and put together a little digest of some of the more interesting write-ups after the jump. Plus, a little video bonus. Shiiiiiit. Goodnight, Baltimore.
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television
The Hubris of David Simon
Credit where it is due: after a mid-season wobble, which shook my devotion to the foundation, The Wire has come together for the conclusion. David Simon's incredibly ambitious drama of crime and corruption in a decaying Baltimore has been compared by Slate's Jacob Weisberg, among others, to the sprawling novels of the 19th century. Most creators would be flattered to be mentioned in the same sentence as Charles Dickens. Simon, who combines cynicism about the possibility of social change with complete faith in the importance of his art, makes grander literary references in a recent radio interview on NPR's Fresh Air. "We've been stealing from a lot of the Greek tragedies... Hubris, a willingness to challenge the gods, a willingness to engage in an argument against one's fate: the same things that Antigone or Oedipus struggled with we gave the same sort of dynamic to our characters... The gods are the post-industrial institutions of modern life. Whoever you serve. Wherever your paycheck comes from. Whatever calling you thought you had. On The Wire, there is every possibility it will betray you." Talk about hubris: such a claim would normally invite ridicule. But Simon, a frustrated former journalist, has defied the fate he's assigned to The Wire's heroes: the former journalist challenged the gods of television with a show that shouldn't have worked, and they let him succeed. After the jump, a clip from the interview with Fresh Air's Terry Gross. More » -
lolbama
Obama's Favorite TV Show: You Will Never Guess, Ever
Democratic presidential candidate Barack Obama spent an entire day with a reporter for Us Weekly who asked "boxers or briefs" and other similarly pressing questions. The Times is kind of in a snit about it because when Us had Hillary Clinton in its pages, it was to have her make fun of her own worst outfits. Actually, the Hillary story was pretty fun compared with Obama's profile, where he comes across fairly vanilla, which is like a deadly sin in a celebrity magazine. Nevertheless, he does make fun of Stevie Wonder bumbling into things, which is kind of cool, and you'll never ever guess what his favorite TV show is: More » -
last night's party
Media Jews Violate Kosher At Spotted Pig
Pictured here, New York's Adam Moss, host of the Oscars party the magazine threw at the Spotted Pig, before ab-obsessed Dave Zinczenko unbuttoned his shirt. Moss, who used to run New York Times' Sunday magazine, is one of the most high-minded of modern editors. Which makes the magazine's web triumph last week all the more disturbing. New York claims 20m pageviews per day for the arty nudes it ran of drunken starlet, Lindsay Lohan. (Yes, jealous.) Moss says the traffic is "addictive". He's joking, for the moment. But wait. (In this week's New York sex diaries, an S&M-loving comedian.) After the jump, lovingly photographed by Gawker's Nikola Tamindzic: Emily Gould; Julia Allison; Alan Cumming and other British luvvies' media gays displaying affection; "Smash" from Friday Night Lights; Marlo's enforcer from cult HBO show, The Wire; and Jews eating piglet.
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backlash
Why David Simon Should Shut Down The Wire
Devotees of The Wire, myself among them, should be delighted by this hint given by one of the HBO drama's actors. Dominic West, who plays the increasingly manic police detective, Jimmy McNulty, tells the Los Angeles Times some of his colleagues are lobbying David Simon for a movie spinoff, and the show's creator is indeed considering a prequel. But here's the sacrilegious thought, which I can't suppress: the final season is not the triumph that fans had hoped for; and it's time for Simon to let go. More » -
suction
The Wire Learns From West Baltimore
Sure, the creator of HBO's The Wire is plugging his nephew's band Dead Meadow (left) in one of the drama's $1.5 million-to-produce episodes, and tapping the acting skills of Emmy-bait Dominic West to make it plausible. Jimmy McNulty this weeks complains to his kids about their music, and they reply, "it's Dead Meadow, Dad, geez." And yes, it's apparently the second time he's pimped the band in as many seasons. But The Wire itself is all about the power of incestuous and uncomfortable relationships, about the "suction" and "grease" deployed to win goodies for lovers, friends, business associates and, especially, family. Well played. [Leather Canary via NYM] -
the wire
The Ubiquitous David Simon
We love the Wire, even if the newsroom scenes are clumsy. But will former reporter and the HBO show's creator, David Simon, stop with the stream of essays? More importantly, will his fellow journalists, flattered though they are to be dramatized in the latest season of the show, stop running the pieces? Enough, already. [Baltimore Magazine] -
scrapbook
David Simon's Press Pass
The creator of The Wire, HBO's crime-and-politics drama, used to work at the Baltimore Sun. Here's his press pass, from a recent memoir of his newspaper days, in Esquire. Funniest story: when Simon, as a newbie reporter, thought that oral sex had been legalized in Maryland. Simon is less amused by the transgressions of some former colleagues, portraying them variously as corporate stooges, buffoons and fabricators. -
the wire
A Show About Us
Yet more on The Wire, and what it reveals about journalism. The newspaper industry is much like the city of Baltimore: slightly horrified by the attention, but pleased it has its own HBO drama. [CJR] -
cults
Worship The Wire after this four-minute indoctrination!
HBO's The Wire will cure cancer, save your newspaper and stand for millennia as the highest recorded form of human culture ever, every publication in the world reported this week. Gawker commenters have called the Wire "the best show ever," "completely addict[ing]," "really that good" and "I fucking love this show." But apparently "getting people to watch it is like pulling teeth" — hence the video after the jump, providing four seasons of backstory in four minutes. More » -
the wire
The Writers Always Have The Last Say
John Carroll (pictured speaking) became a newspaper martyr when in 2005 he resigned as editor of the Los Angeles Times rather than implement budget cuts demanded by the penny-pinching corporate overlords. But that wasn't enough for David Simon, creator of The Wire, the HBO drama about crime, politics and the media in Baltimore. Simon, a former reporter at the Baltimore Sun, still blames Carroll for "single-handedly destroying" the newspaper; he's the model for the bland manager of Simon's television show who urges staff to do "more with less". [Baltimore Sun via Fimoculous] -
culture wars
Wire creator to NYC: "You don't know shit anymore!"
New York's media establishment may have decided that it loves the Wire. (Slate editor Jacob Weisberg was among the talking heads comparing the HBO drama to a great 19th century novel in the promo.) But David Simon, creator of the Baltimore-based show, doesn't return the regard. To be sure, Simon is generally bitter, holds a grudge and if you ask him what he thinks about Washingtonians, he'll say "fuck them." But the man reserves his real disdain for the East Coast Fantasy Island of New York. This is a 2006 link, but worth reprising. Baltimore blogger Eebmore transcribed a talk Simon gave at Eugene Lang College of the New School (famous alumni include: Ani DiFranco, Matisyahu, Sufjan Stevens and...Emily Gould!) and it's one of the best takedowns of New York we've heard. "You don’t know shit anymore!" and then some, after the jump.
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grudging praise
'The Wire' Was Hot
The Wire, HBO's beautifully weary drama, documents the decline of industrial America. Having explored the docks, and failing schools, the fifth and final season introduces a new setting: the depressed newsroom of the Baltimore Sun, as it struggles to stay relevant in the increasingly binary American newspaper industry. Most telling line, from a bitter Sun reporter yearning to do real journalism: "The Times, The Post. Where else?" (Click the video for one of the sadder scenes from last night's show; after the jump, more on The Wire and the media.) More » -
brilliant
The Wire's final season
In Everything Bad is Good for You, Steven Berlin Johnson showed how television drama had become more complex over the decades, and made the contrarian claim that popular culture was making us smarter. The Wire, which returns tonight, ought to clinch the argument. The HBO drama, about crime and politics in Baltimore, is so convoluted that it takes several episodes, and sometimes several viewings, to make sense of the plot. And that's what's so engrossing: the show is a puzzle as much as it's entertainment. Bonus for media junkies: much of the action in this, the last season, takes place at the newsroom of the city's dying newspaper, the Baltimore Sun. One of the characters is a familiar figure in American publishing, the corporate executive who tells his dispirited reporters to do "less with more." 9pm, Sunday nights, HBO. Trailer after the jump. More » -
the wire
Lost Things
As has been reported several times, the new season of HBO's The Wire will focus on a fictional version of The Baltimore Sun. We'll see a depiction of a beleaguered paper that faces budget cuts and bureau closings, which is definitely familiar territory for the real Sun. What do you get when an important television show that no one is watching portrays an important medium that no one is reading? A sad and lonely little ouroboros, methinks. -
altarcations
Donnie Andrews & Fran Boyd Believe In Third Acts
Every darn week, the wedding announcements in the 'New York Times' asks you to celebrate all that is good and right in the world. Let our Intern Alexis remind you that love is like a grenade of happiness, tossing limbs of joy everywhere in a hot red spray of love-blood! More » -
katie couric
Remainders: Katie Couric, Overachieving Blogger
• Katie Couric's first week is accompanied by her first blog, a rambling, 10000-word treatment on the importance of being perky, complete with Karen Carpenter lyrics. Congrats, Katie. You're really done something. [Couric & Co.] More » -
jacob weisberg
Let Jake Weisberg Facilitate Your Ethnic Tourism
Good news for white folks who want to watch The Wire but are afraid that they might not be able to follow the complex argot of the show's duskier characters: Noted ethnographer Jake Weisberg is here to help. More » -
new york times
The Critics Agree: 'The Wire' Is This Season's Most Written-About Show on 43rd Street
"When we last saw the bedraggled Bubbles, he was shuffling through a drug-infested corner of Baltimore on the HBO crime drama ''The Wire,'' pontificating as only Bubbles can." The New York Times, August 28 More »
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