"No Country for Old Men" was a pile of cack. Book, film, whatever. Well-acted as a movie, to be sure--but essentially dishonest misanthropic twaddle featuring...The Unstoppable Killer (tm)!!! Yes, when your killing needs are piling up and you just don't have time to dispatch major, minor and completely background characters, try Unstoppable Killer! Shoot him! Club him! Knife him! Subject him to a shit 1970s haircut! Nothing stops Unstoppable Killer! Satisfaction guaranteed or he'll kill you too!
Now in boot-black and utter bullshit flavors.
I mean, please. Jason Voorhees was a more convincing moral catalyst.
@unclevanya: totally with you. I had that on the other night when some friends came over. They noted that I was sitting alone in the dark, drinking, watching the hours. It was a Friday night.
As long as that contrived piece of dog-shit Crash didn't get top honors. I never wanted to hurl a bloody stump at a movie screen so much ever before in my life. And the fact that it's on Showtime, or whatever cable channel that is, as some sort of limping, destitute, bereft, series makes my eyeballs roll convulsively of their own accord. What a shallow waste of brain-flatulence.
@Spirit Fingers: Someday you should read this: www.thehousenextdooronline.com/2006/02/anything-but-this.html - It really helped me deal with my intense, utter LOATHING of Crash.
@BicycleShed: I'll have to check into that. I'd never imagine needing some sort of support group after seeing that trifle, but I can see where it may have been warranted at the time. Sheesh. What an overblown suck-fest that thing was.
@contradicto: While I'm certainly one to put it firmly on the "good" side, its plaudits definitely wrankle me, in part because it seems so perfectly calculated to earn critical praise. People used to say all the time that costume dramas where all the characters have British accents are Oscar-bait, but to me it seems like now you have "artistic" violence, a remorseless sociopath, and a minimalist soundtrack, and people declare you a genius.
@contradicto: Daniel Day Lewis was...well, he was John Houston and it was just so over the top that it became near comical. All the rest of the acting was horrible and the soundtrack was jarring and awful. HATED THIS MOVIE.
@contradicto: i think the point is that you SHOULD hate There Will Be Blood, because it is ABOUT YOU. Americans are awful people, and the film is an extended metaphor about how much you suck.
@BullfightsOnAcid: Really? I know I'm in the minority, but I found it schmaltzy and sentimental to the max. Then again, I've been living in Germany so I guess I'm more attuned to the discourse of "dealing with the past" and bristle at this cinematic attempt to reduce it to a neat villains-vs-heroes narrative ready-packaged for overseas consumption. It's the equivalent of drunk Germans hooking up arms and singing out of tune in a beer garden. Oh, look: a reductive crash course into the problem of a divided Germany + nice catharsis at the end! Everyone leaves the theater feeling content and more educated! I welcome the idea of attacking this topic, especially if it draws attention from non-Germans, but this film was.. blech.
@Botswana Meat Commission FC: Apparently I need to rent TWBB over the holiday. I read Oil! a couple of years ago, but haven't seen the flick. I think that's partly because I was so disappointed in the book, that the idea of seeing the movie doesn't sound all that appealing.
@snugbug: It was sentimental... but it worked. What's wrong with showing some feeling? It may have been a neatly-packaged crash-course as you described it, but it is a 2 hour drama and not a 10 hour documentary. The actors and the story moved me and I'm not one for sentimentality. You seem to infer that exploring this topic with feelings and emotions is somehow insulting. Do you have a movie "dealing with the past" that you would recommend over this one? Maybe one with less feeling?
There Will Be Blood is both excellent and overrated. Day-Lewis is always going to get accolades because most people interpret overacting and scenery chewing to be acting well, but there isn't a moment when I didn't think, "This is a guy determined to win another Oscar." I'm afraid quiet, naturalistic performances like Ryan Gosling's in Half-Nelson are always going to suffer in comparison to bombast and spectacle.
Personally, I wish all of TWBB was like the first half-hour. The movie is so gorgeously shot and the visual storytelling so brutal, it's a shame to have to balance that against a frankly confused set of themes and an ending seemingly designed to win accolades for being daring.
@Freddie DeBoer: Interesting. I found "Half Nelson" to be a total pandering mess, and I thought Gosling's character was just a Hipster lookin' for main stream cred.
There Will Be Blood actually SAID something, and said it in a way that most people can't understand.
I draw a firm, wide line between scenery chewing and a Jungian fist punch to America's face.
@keverdene: Yes, that's the problem. It's from the school of thought that thinks that movies have to SAY SOMETHING to be worthwhile. And of course, it was wildly rewarded for being so sure of its own importance.
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Now in boot-black and utter bullshit flavors.
I mean, please. Jason Voorhees was a more convincing moral catalyst.
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Poor Michael Moore: Bowling for Columbine deserves much more recognition, but his antics may have overshadowed the film's impact.
Absolutely no love for The Hours? I'll just sit over here in the corner and enjoy it by myself then...
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6 Votes: Children of Men
5 Votes: Finding Nemo
3 Votes: The Bourne Series
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1. There Will Be Blood
2. The Lives of Others
3. Pan's Labyrinth
4. The Departed
5. The 40 Year Old Virgin
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Personally, I wish all of TWBB was like the first half-hour. The movie is so gorgeously shot and the visual storytelling so brutal, it's a shame to have to balance that against a frankly confused set of themes and an ending seemingly designed to win accolades for being daring.
12/19/09
There Will Be Blood actually SAID something, and said it in a way that most people can't understand.
I draw a firm, wide line between scenery chewing and a Jungian fist punch to America's face.
12/19/09