Yeah I saw it and it was a good musical and all that but come on.
You can find this Hamiltonian idea of hip-hop refracted through rap’s other great works this year. You hear it in the verbosity, the craft, the daringness, the desperate idealism, and the death-obsessed drive of Kendrick Lamar’s To Pimp a Butterfly. You hear Hamilton’s obsession with legacy, his unwillingness to back down when challenged, his profligacy—“why do you write as if you’re running out of time?”—in Drake’s multi-mixtape 2015 output.
Listening to a rapper like Future, you feel like he’s transmitting directly from his brain. Listening to Hamilton, you hear writing. You hear work. Miranda said he spent a full year working on “My Shot,” and I believe it; it probably took a month alone to figure out the right phrase to rhyme with “revolutionary manumission abolitionists.” And work, according to a common cultural attitude, is not cool.
Give it a rest.
Can we not do this any more.
Everyone start talking about something else now. Dogs. Whatever.